Developments in the 19th Century


Art Styles in 19th century - Art Map





(Between Romanticism and Expressionism)


Edmond Aman-Jean

(1858- 1936)

Edmond Aman-Jean
, the most charming French Symbolist. He was a frend of
Seurat and collaborated with Puvis de Chavannes in the transfer to tiles of The Sacred Wood.

A frend of Peladen and Mallarme.

He exhibited at the Rose+Croix Salons and designed the Salon Poster in 1893.




  b Chevry-Cossigny, Seine-et-Marne, 13 Nov 1858; d ?Paris, 1936.

 French painter, pastellist and printmaker. He studied from 1880 under the academic painter Henri Lehmann at the Ecole des Beaux-Arts in Paris; there he befriended Georges Seurat with whom he shared a studio for several years. He also studied under Pierre Puvis de Chavannes, working as his assistant on the Sacred Grove (1884; Lyon, Mus. B.-A.). In 1886 he obtained a travel scholarship to Rome and on his return befriended Symbolist poets such as Stéphane Mallarmé, Paul Verlaine and Philippe-Auguste Villiers de l’Isle Adam. While the poets sought to subvert language in order to express new sensations, Aman-Jean relied on pictorial and iconographic traditions. He specialized in pictures of languid young women turned in profile to the left or gazing into space, as in Girl with Peacock (1895), using broken brushstrokes and colour contrasts that by then had largely shed their avant-garde connotations. Typical works such as the colour lithograph Beneath the Flowers (1897; Paris, Bib. N.) and the portrait of Mlle Thadée C. Jacquet (1892; Paris. Mus. d’Orsay) led the critic Camille Mauclair to identify him as an heir to the English Pre-Raphaelite Brotherhood.
Head of a Woman
Buste de femme
Portrait of Thadee Caroline Jacquet
Van Gogh Museum, Amsterdam

Madame Aman-Jean



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