Italian painter, etcher and draughtsman. He was the most distinguished
Italian view painter of the 18th century. Apart from ten years spent in
England he lived in Venice, and his fame rests above all on his views (vedute)
of that city; some of these are purely topographical, others include
festivals or ceremonial events. He also painted imaginary views
(capriccios), although the demarcation between the real and the invented
is never quite clearcut: his imaginary views often include realistically
depicted elements, though in unexpected surroundings, and in a sense
even his Venetian vedute are imaginary. He never merely
re-created reality. He was highly successful with the English, helped in
this by the British connoisseur JOSEPH SMITH, whose own large collection
of Canaletto’s works was sold to King George III in 1762. The British
Royal Collection has the largest group of his paintings and drawings.
The Piazzetta towards S. Giorgio Maggiore
c. 1724
Oil on canvas
Royal Collection, Windsor
Perspective
1765
Oil on canvas, 131 x 93 cm
Gallerie dell'Accademia, Venice
Rio dei Mendicanti
1723-24
Oil on canvas, 143 x 200 cm
Museo del Settecento Veneziano, Ca' Rezzonico, Venice
Grand Canal, Looking Northeast
from Palazo Balbi toward the Rialto Bridge
1723-24
Oil on canvas, 144 x 207 cm
Museo del Settecento Veneziano, Ca' Rezzonico, Venice
Grand Canal, Looking East from
the Campo San Vio
1723-24
Oil on canvas, 140,5 x 204,5 cm
Thyssen Bornemisza Collection, Madrid
The Grand Canal with the
Rialto Bridge in the Background
1724-25
Oil on canvas, 146 x 234 cm
Gemäldegalerie, Dresden
The Grand Canal near the Ponte di Rialto
1725
Oil on canvas, 90,5 x 134,6 cm
Private collection
Riva degli Schiavoni - west side
1726-28
Oil on canvas, 46 x 62,5 cm
Kunsthistorisches Museum, Vienna
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