(b Rottweil, Württemberg, c. 1400–10; d Geneva
or Basle, 1445–6).
German painter. One of the great innovators in northern European
painting, he turned away from the lyricism of the preceding generation
of German painters. His sturdy, monumental figures give a strong
impression of their physical presence, gestures are dignified and the
colours strong and simple. Even scenes with several figures are
strangely undramatic and static. The surface appearance of materials,
especially metals and stone, is intensely observed and recorded with an
almost naive precision. Powerful cast shadows help to define the spatial
relationships between objects. His fresh approach to the natural world
reflects that of the Netherlandish painters: the Master of Flémalle and
the van Eycks. He need not, however, have trained in the Netherlands or
in Burgundy as knowledge of their style could have been gained in Basle.
He remained, however, untouched by the anecdotal quality present in
their art, while Witz’s pure tempera technique differs emphatically from
the refined use of oil glazes that endows Netherlandish pictures with
their jewel-like brilliance.
Annunciation
c. 1440
Germanisches Nationalmuseum, Nuremberg
King Solomon and the
Queen of Sheba 1435
Staatliche Museen, Berlin
St Bartholomew c. 1435
Offentliche Kunstsammlung, Basle
Christ on the Cross 1430-33
Staatliche Museen, Berlin
Saint Christopher c. 1435
Offentliche Kunstsammlung, Basle
The Miraculous Draught
of Fishes 1443-44
Musee d'Art et d'Histoire, Geneva
The Liberation of St
Peter 1443-44
Musee d'Art et d'Histoire, Geneva
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