He was one of the leading painters in Renaissance
Florence in the generation following Masaccio. Influenced by
him in his youth, Filippo developed a linear, expressive
style, which anticipated the achievements of his pupil
Botticelli. Lippi was among the earliest painters indebted
to Donatello. His mature works are some of the first Italian
paintings to be inspired by the realistic technique (and
occasionally by the compositions) of Netherlandish pioneers
such as Rogier van der Weyden and Jan van Eyck. Beginning
work in the late 1430s, Lippi won several important
commissions for large-scale altarpieces, and in his later
years he produced two fresco cycles that (as Vasari noted)
had a decisive impact on 16th-century cycles. He produced
some of the earliest autonomous portrait paintings of the
Renaissance, and his smaller-scale Virgin and Child
compositions are among the most personal and expressive of
that era. Throughout most of his career he was patronized by
the powerful Medici family and allied clans. The operation
of his workshop remains a matter of conjecture.
Madonna and Child Enthroned with Two Angels
c. 1437
Tempera and gold on wood transferred from wood; arched top:
122,6 x 62,9 cm
Metropolitan Museum of Art, New York
Madonna and Child with Saints and a Worshipper
c. 1437
Panel, 49 x 38 cm
Ptivate collection
Madonna and Child Enthroned with Saints
c. 1430
Panel, 43,7 x 34,3 cm
Museo Diocesano, Empoli
Madonna of Humility (Trivulzio Madonna)
c. 1430
Panel
Castello Sforzesco, Milan
Madonna with Child (Tarquinia Madonna)
1437
Tempera on panel, 151 x 66 cm
Galleria Nazionale d'Arte Antica, Rome
The Doctors of the Church
c. 1437
Panel, 129 x 65 cm (each)
Accademina Albertina, Turin
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