Italian painter and draughtsman. He was one of the leading painters of
the Bolognese school and one of the most accomplished draughtsmen of the
Italian Baroque. His paintings show a command of subtle effects of light
and dark, with the figures revealing a wide variety of gesture and
facial expression, the result of the artist’s good grasp of human
psychology. Guercino’s style changed dramatically during his long
career. His early works are robust in handling, rich in muted colour and
dramatic in lighting and composition. But after a short visit to Rome in
1621–3, his painting began slowly to alter as he came under the
influence of a more classical style of painting, then so popular in
official circles. He was deeply affected by the austere classicism of
one of his greatest rivals, Guido Reni. Following Reni’s death in 1642,
Guercino moved from his native Cento, where he had previously spent
almost the whole of his career, to Bologna, and assumed the position of
the city’s principal painter. His activity as a painter is particularly
well documented, thanks to the extensive list of his commissions in
Malvasia’s biography (based on documentation to which he had access in
Guercino’s house), together with the Libro dei conti (account
book) recording payments for his commissions, which was kept in
Guercino’s studio from 1629 until his death by his younger brother,
PAOLO ANTONIO BARBIERI, with whom he occasionally collaborated.
St Marguerite
Oil on canvas
S. Pietro in Vincoli, Rome
Martyrdom of St Catherine
1653
Oil on canvas, 222,5 x 159 cm
The Hermitage, St. Petersburg
Susanna and the Elders
1617
Oil on canvas, 175 x 207 cm
Museo del Prado, Madrid
St William of Aquitaine Receiving the Cowl
1620
Oil on canvas
Pinacoteca Nazionale, Bologna
St Augustine Washing the Feet of the Redeemer
Oil on canvas
S. Agostino in Campo Marzio, Rome
St Augustine, St John the Baptist and St Paul the Hermit
Oil on canvas
S. Agostino in Campo Marzio, Rome
The Entombment of Christ
1656
Oil on canvas
Art Institute of Chicago, Chicago
The Flagellation of Christ
1657
Oil on canvas 250 x 185 cm
Galleria Nazionale d'Arte Antica, Rome
St Francis with an Angel Playing Violin
Oil on canvas, 162 x 127 cm
Gemaldegalerie, Dresden
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