Italian painter and draughtsman. On the basis of his frescoes and
altarpieces he became established as the most influential exponent of
the 17th-century classical style. Through his critical analysis of the
art of Raphael and Annibale Carracci he was influential in the creation
of a modern canon of the ancients; and he was perhaps the most complete
example of a 17th-century artist struggling to reconcile tradition with
the demand for spectacle.
The Cumaean Sibyl
c. 1610
Oil on canvas
Pinacoteca Capitolina, Rome
Saint Agnes
c. 1620
Oil on canvas, 213,4 x 152,4 cm
Royal Collection, Windsor
Madonna and Child with St Petronius and St John the Baptist
1629
Oil on canvas, 430 x 278 cm
Galleria Nazionale d'Arte Antica, Rome
The Sacrifice of Isaac
1627-28
Oil on canvas, 147 x 140 cm
Museo del Prado, Madrid
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