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Albert Renger-Patzsch
(From Wikipedia, the
free encyclopedia)
Albert Renger-Patzsch
(June 22, 1897 – September 27, 1966) was a German photographer associated
with the New Objectivity.
Renger-Patzsch was born in Würzburg and began making photographs by age
twelve. After military service in the First World War he studied chemistry
at Dresden Technical College. In the early 1920s he worked as a press
photographer for the Chicago Tribune before becoming a freelancer and, in
1925, publishing a book, The choir stalls of Cappenberg. He had his first
museum exhibition in 1927.
A second book followed in 1928, Die Welt ist schön (The World is
Beautiful). This, his best-known book, is a collection of one hundred of
his photographs in which natural forms, industrial subjects and
mass-produced objects are presented with the clarity of scientific
illustrations. In its sharply focused and matter-of-fact style his work
exemplifies the esthetic of The New Objectivity that flourished in the
arts in Germany during the Weimar Republic.
During the 1930s Renger-Patzsch made photographs for industry and
advertising. His archives were destroyed during the Second World War. In
1944 he moved to Wamel Dorf, where he lived the rest of his life.
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Semperrivum Percarneum, c. 1922.
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Vom Eis geschliffene Landschaft in Südschweden
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Das baumchen, 1929
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Buchenlandschaft (Forest), 1936
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Glasses (c.1927
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Baboon, 1925
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Snake Head, 1928
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Flower
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Cactaceae Mammilaria
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Knopfe
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Schachtanlage Heinrich Robert, Herringen bei Hamm, Förderturm im Bau
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Cactaceae Astrophytum
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Zugfeder
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Maschinenhammer
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Lasthaken mit Stahltrosse
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Schachtanlage Hugo, Gelsenkirchen, Lohnhalle
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Schachtanlage Germania, Dortmund-Marien, Schachthalle und Teilansicht des
Fördergerüsts
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Schachtanlage Germania, Dortmund - Marien, Schachthalle und Fördergerüst
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Schachtanlage Germania, Dortmund - Marien
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Untitled
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Untitled, 1920
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Garden with Bench, Hamburg, 1928
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Lubeck, A Look at the Cathedral
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