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Aristide
Maillol
(Encyclopaedia Britannica)
Aristide
Maillol, french painter, printmaker, and one of the most important
sculptors of the 20th century, whose monumental statues of female
nudes restored to early 20th-century sculpture a concern for mass
and rigorous formal analysis; his works paved the way forthe radical
experimentation of the various schools ofmodern abstract sculpture.
Maillol began as a painter and tapestry designer whose work reflected his
great admiration for the Nabis, a group of artists whose work was
composed typically of decorative patterns of colour. He was almost
40 years old when an eye disease made him decide to become a
sculptor. His mature style of sculpture rejected the highly
emotional sculpture of his contemporary Auguste Rodin, and he
attempted to preserve and purify the tradition of sculpture derived
from classical Greece and Rome. “The Mediterranean” (c. 1901) and
“Night” (1902) show the emotional restraint, clear composition, and
serene surfaces he employed in his sculpture for therest of his
life. Although most of his work depicts the mature female form, a
notable exception is the lean “Cyclist” (1907–08), which greatly
influenced subsequent developments in figurative expressionistic
sculpture.
After 1910 Maillol was internationally famous and received a constant
flood of commissions. Because of his strict economy of aesthetic
means, hemanaged successfully to turn out the same subject
repeatedly, sometimes varying little more than the title from work
to work. Only in “Action in Chains” (1906) and “The River” (c.
1939–43) did he vary his basic formula and represent the human form
in turbulent activity.
Maillol resumed painting in 1939, but sculpture never relinquished
preeminence in his affections. He also made many woodcut
illustrations forfine editions of Latin poets during the 1920s and
'30s, doing much to revivethe art of the book.
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Night
1902
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Study for Action in Chains
1905 |
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b
Banyuls-sur-Mer, 8 Oct 1861; d Perpignan, 24 Sept 1944.
French sculptor, painter, designer and illustrator. He began his career as
a painter and tapestry designer, but after c. 1900 devoted himself
to three-dimensional work, becoming one of the most important
sculptors of the 20th century. He concentrated almost exclusively on
the nude female figure in the round, consciously wishing to strip
form of all literary associations and architectural context.
Although inspired by the Classical tradition of Greek and Roman
sculpture, his figures have all the elemental sensuousness and
dignity associated with the Mediterranean peasant. |
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Statue at the Jardin des Tuileries
1906 |
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The River
1938 |
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La Mediterranee
1905
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The Three Nymphs
1930
Tate Gallery, London |
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Crouching Woman
1909
Hermitage, St Petersburg |
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Venus
1918 |
Young Woman
Kneeling
1902
Hermitage, St Petersburg |
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Venus sans bras
1920 |
Standing Woman
1900
Hermitage, St Petersburg |
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Spring
1911
Hermitage, St Petersburg |
Girl Covering her
Face with her Hand
1905
Hermitage, St Petersburg |
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Standing Woman-Bather Fixing Her Hair
1900
Hermitage, St Petersburg |
L'action enchainee |
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The mountain
1937 |
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Air
1938 |
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Torso
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Pomona |
Pomona with Lowered Arms
1937 |
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Flora
1912 |
Torso
1910 |
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Venus with a Necklace 1918
Tate Gallery, London |
Nymph
1930 |
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Le monument aux morts |
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