History of Literature








J. M. Barrie



"PETER AND WENDY"


Illustrations by F. D. Bedford



"PETER PAN IN KENSINGTON GARDENS"



 




Sir James Matthew Barrie, 1st Baronet


 

 

J. M. Barrie

in full Sir James Matthew Barrie, 1st Baronet

born May 9, 1860, Kirriemuir, Angus, Scotland
died June 19, 1937, London, England


Scottish dramatist and novelist who is best known as the creator of Peter Pan, the boy who refused to grow up.

The son of a weaver, Barrie never recovered from the shock he received at six from a brother’s death and its grievous effect on his mother, who dominated his childhood and retained that dominance thereafter. Throughout his life Barrie wished to recapture the happy years before his mother was stricken, and he retained a strong childlike quality in his adult personality.

Barrie studied at the University of Edinburgh and spent two years on the Nottingham Journal before settling in London as a freelance writer in 1885. His first successful book, Auld Licht Idylls (1888), contained sketches of life in Kirriemuir, and the stories in A Window in Thurms (1889) continue to explore that setting. The Little Minister (1891), a highly sentimental novel in the same style, was a bestseller, and, after its dramatization in 1897, Barrie wrote mostly for the theatre. His autobiographical novels When a Man’s Single (1888) and Sentimental Tommy (1896) both feature a little boy in Kirriemuir (“Thrums”) who weaves a cloak of romantic fiction between himself and reality and becomes a successful writer. Most of these early works are marked by quaint Scottish dialect, whimsical humour and comic clowning, pathos, and sentimentality.

Barrie’s marriage in 1894 to the actress Mary Ansell was childless and apparently unconsummated. In 1897 he formed an attachment to Sylvia Llewellyn Davies, and it was to her sons, through whom he began to live again the experience of childhood, that he told his first Peter Pan stories, some of which were published in The Little White Bird (1902). The play Peter Pan, the Boy Who Wouldn’t Grow Up, was first produced in 1904. This play added a new character to the mythology of the English-speaking world in the figure of Peter Pan, and its theme of heroic boyhood triumphant over the seedy, middle-aged pirate Captain Hook proved to have a lasting appeal. Barrie’s idyll of reexperienced boyhood was followed by tragedy. His marriage ended in divorce in April 1910; Sylvia Davies, then a widow, died four months later; and two of her sons, to whom Barrie acted as guardian, were killed.

Barrie was created a baronet in 1913 and was awarded the Order of Merit in 1922. He became president of the Society of Authors in 1928 and chancellor of the University of Edinburgh in 1930.

Most of Barrie’s stage triumphs have been dismissed by critics as marred by ephemeral whimsicalities, but at least six of his plays—Quality Street (1901), The Admirable Crichton (1902), What Every Woman Knows (1908), The Twelve-Pound Look (1910), The Will (1913), and Dear Brutus (1917)—are of indisputably high quality. Barrie idealized childhood and desexualized femininity but took a disenchanted view of adult life, as reflected in the gentle melancholy of these works. Sometimes he expressed his disenchantment humorously, as in The Admirable Crichton, in which a butler becomes the king of a desert island, with his former employers as serfs; sometimes satirically, as in The Twelve-Pound Look; and sometimes tragically, as in Dear Brutus, in which nine men and women whose lives have come to grief are given a magical second chance, only to wreck themselves again on the reefs of their own temperaments. The elaborate stage directions in Barrie’s plays are sometimes more rewarding than their dialogue itself. Barrie proved himself a master of stage effects and of the delineation of character, but the sentimental and whimsical elements in his work have discouraged frequent revivals.

 

 



"Peter and Wendy"


From Wikipedia, the free encyclopedia

 

Peter Pan: or, The Boy Who Wouldn't Grow Up (1904) is the title of Scottish playwright and novelist J. M. Barrie's most famous play, and Peter and Wendy (1911) is the title of Barrie's novelisation of it. Both tell the story of Peter Pan, a mischievous little boy who can fly, and his adventures on the island of Neverland with Wendy Darling and her brothers, the fairy Tinker Bell, the Lost Boys, the Indian princess Tiger Lily, and the pirate Captain Hook. The play and novel were both inspired by Barrie's friendship with the Llewelyn Davies family. The novel follows the play closely, but includes a final chapter not part of the original play.

The play debuted in London on 27 December 1904 with Nina Boucicault, daughter of playwright Dion Boucicault, in the title role. A Broadway production was mounted in 1905 starring Maude Adams. It was later revived with such actresses as Marilyn Miller and Eva Le Gallienne, and made into a silent film in 1924. The play has since seen adaptation as a stage musical, a television special, and two sound films - one a 1953 animated Disney full-length feature, and one a 2003 British production with state-of-the-art special effects. The play is performed annually in its original form on stage in the United Kingdom. In the U.S., the 1954 musical version, which became popular on television, has been usually staged live since the 1950's instead of the original version. (There were several U.S. stagings of the original version prior to the 1950's.)

The novel was first published in 1911 by Hodder & Stoughton in the United Kingdom and Charles Scribner's Sons in the United States. The original book contains a frontispiece and 11 half-tone plates by artist F. D. Bedford (whose illustrations are still in copyright in the EU). The novel was first abridged by May Byron in 1915, with Barrie's permission, and published under the title Peter Pan and Wendy, the first time this form was used. This version was later illustrated by Mabel Lucie Attwell in 1921. The novel is now usually published under that title or simply Peter Pan. The script of the play, which Barrie had continued to revise since its first performance, was published in 1928. In 1929, Barrie gave the copyright of the Peter Pan works to Great Ormond Street Hospital, a children's hospital in London.
 


 


Background

Barrie created Peter Pan in stories he told to the sons of his friend Sylvia Llewelyn Davies, with whom he had forged a special relationship. Mrs. Llewelyn Davies' death from cancer came within a few years after the death of her husband. Barrie was named as co-guardian of the boys and unofficially adopted them.


The character's name comes from two sources: Peter Llewelyn Davies, one of the boys, and Pan, the mischievous Greek god of the woodlands. It has also been suggested that the inspiration for the character was Barrie's elder brother David, whose death in a skating accident at the age of thirteen deeply affected their mother. According to Andrew Birkin, author of J.M. Barrie and the Lost Boys, the death was 'a catastrophe beyond belief, and one from which she never fully recovered... If Margaret Ogilvy [Barrie's mother as the heroine of his 1896 novel of that title] drew a measure of comfort from the notion that David, in dying a boy, would remain a boy for ever, Barrie drew inspiration.'

The Peter Pan character first appeared in print in the 1902 novel The Little White Bird, written for adults, a fictionalised version of Barrie's relationship with the Llewelyn Davies children. The character was next used in the very successful stage play Peter Pan, or The Boy Who Wouldn't Grow Up that premiered in London on 27 December 1904.

In 1906, the portion of The Little White Bird which featured Peter Pan was published as the book Peter Pan in Kensington Gardens, with illustrations by Arthur Rackham. Barrie then adapted the play into the 1911 novel Peter and Wendy (most often now published simply as Peter Pan).

The original draft of the play was entitled simply Anon: A Play ('Anon' being a name Barrie used in reference to himself). Barrie's working titles for it included The Great White Father and Peter Pan, or The Boy Who Hated Mothers. Producer Charles Frohman disliked the title on the manuscript, in answer to which Barrie reportedly suggested The Boy Who Couldn't Grow Up; Frohman suggested changing it to Wouldn't.

 


 



Plot summary

Although the character appeared previously in Barrie's book The Little White Bird,[3] the play and the novel based on it contain the portion of the Peter Pan mythos that is best known. The two versions differ in some details of the story, but have much in common. In both versions Peter makes night-time calls on Kensington, London, listening in on Mrs. Mary Darling's bedtime stories by the open window. One night Peter is spotted and, while trying to escape, he loses his shadow. On returning to claim it, Peter wakes Mary's daughter, Wendy Darling. Wendy succeeds in re-attaching his shadow to him, and Peter learns that she knows lots of bedtime stories. He invites her to Neverland to be a mother to his gang, the Lost Boys, children who were lost in Kensington Gardens. Wendy agrees, and her brothers John and Michael go along.

Their magical flight to Neverland is followed by many adventures. The children are blown out of the air by a cannon and Wendy is nearly killed by the Lost Boy Tootles. Peter and the Lost Boys build a little house for Wendy to live in while she recuperates (a structure that, to this day, is called a Wendy House.) Soon John and Michael adopt the ways of the Lost Boys.


Peter welcomes Wendy to his underground home, and she immediately assumes the role of mother figure. Peter takes the Darlings on several adventures, the first truly dangerous one occurring at Mermaids' Lagoon. At Mermaids' Lagoon, Peter and the Lost Boys save the princess Tiger Lily and become involved in a battle with the pirates, including the evil Captain Hook. Peter is wounded when Hook claws him. He believes he will die, stranded on a rock when the tide is rising, but he views death as "an awfully big adventure". Luckily, a bird allows him to use her nest as a boat, and Peter sails home.

Because he has saved Tiger Lily, the Indians are devoted to him, guarding his home from the next imminent pirate attack. Meanwhile, Wendy begins to fall in love with Peter, at least as a child, and asks Peter what kind of feelings he has for her. Peter says that he is like her faithful son. One day while telling stories to the Lost Boys and her brothers, John and Michael, Wendy recalls about her parents and then decides to take them back and return to England. Unfortunately, and unbeknownst to Peter, Wendy and the boys are captured by Captain Hook, who also tries to poison Peter's medicine while the boy is asleep. When Peter awakes, he learns from the fairy Tinker Bell that Wendy has been kidnapped – in an effort to please Wendy, he goes to drink his medicine. Tink does not have time to warn him of the poison, and instead drinks it herself, causing her near death. Peter invokes the sympathy of children who might be dreaming of him, and Tinker Bell is saved.
 

Peter heads to the ship. On the way, he encounters the ticking crocodile; Peter decides to copy the tick, so any animals will recognise it and leave him unharmed. He does not realise that he is still ticking as he boards the ship, where Hook cowers, mistaking him for the crocodile. While the pirates are searching for the croc, Peter sneaks into the cabin to steal the keys and frees the Lost Boys. When the pirates investigate a noise in the cabin, Peter defeats them. When he finally reveals himself, he and Hook fall to the climactic battle, which Peter easily wins. He kicks Hook into the jaws of the waiting crocodile, but the wicked pirate promises that he will return. Then Peter takes control of the ship, and sails the seas back to London.

In the end, Wendy decides that her place is at home, much to the joy of her heartsick mother. Wendy then brings all the boys but Peter back to London. Before Wendy and her brothers arrive at their house, Peter flies ahead, to try and bar the window so Wendy will think her mother has forgotten her. But when he learns of Mrs Darling's distress, he bitterly leaves the door unlocked and flies away. Peter returns briefly, and he meets Mrs. Darling, who has agreed to adopt the Lost Boys. She offers to adopt Peter as well, but Peter refuses, afraid they will "catch him and make him a man". It is hinted that Mary Darling knew Peter when she was a girl, because she is left slightly changed when Peter leaves.

Peter promises to return for Wendy every spring. The end of the play finds Wendy looking out through the window and saying into space, "You won't forget to come for me, Peter? Please, please don't forget".



An Afterthought
A few years after the premiere of the original production of Peter Pan, James Barrie wrote an additional scene entitled An Afterthought, which is sometimes, but usually not, included in productions of the play. It was, however, included as the final chapter of Peter and Wendy. In this scene, Peter returns for Wendy years later, but Wendy is now grown, with a daughter of her own. When Peter learns that Wendy has "betrayed" him by growing up, he is heartbroken. But Wendy's daughter Jane agrees to come to Neverland as Peter's new mother. In the novel's last few sentences, Barrie mentions that Jane has grown up, and that Peter now takes her daughter Margaret to Neverland. Barrie says this cycle will go on forever as long as children are "innocent and heartless".

This epilogue is only occasionally used in presentations of the drama, but it made a poignant conclusion to the famous musical production starring Mary Martin, and provided the premise for Disney's sequel to their animated adaptation of the story.
 




Characters


Peter Pan
Peter Pan is the main character of the play and the novel. He is described in the novel as a young boy who still has all his first teeth; he wears clothes made of hemp. He is the only boy able to fly without the help of fairy dust, and he can play the flute. Peter is afraid of nothing except women. He loves Wendy; however, it is not a romantic love — he thinks of her as his mother. Barrie attributes this to "the riddle of his existence".



The Darling Family

Wendy Darling — Wendy is the eldest, the only daughter and the heroine of the novel. She loves the idea of homemaking and storytelling and wants to become a mother; her dreams consist of adventures in a little woodland house with her pet wolf. She bears a bit of (mutual) animosity toward Tiger Lily because of their similar affections toward Peter. She does not seem to feel the same way about Tinker Bell, but the fairy is constantly bad-mouthing her and even has attempted to have her killed. She grows up at the end of the novel, with a daughter (Jane) and a granddaughter (Margaret). She is portrayed with blonde, brown, or black hair in different stories. While it is not clear on whether or not she is in love with Peter, it is safe to assume that she does have feelings toward him, at least as a child. Perhaps consequently, Wendy is often referred to as the "mother" of the Lost Boys and, while Peter also considers her to be his "mother", he takes on the "father" role, insinuating that they play a married couple at least in their games.

Several writers have stated that Barrie was the first to use the name Wendy in a published work, and that the source of the name was Barrie's childhood friend, Margaret Henley, 4-year-old daughter of poet William Ernest Henley, who pronounced the word "friend" as "Fweiendy", adapted by Barrie as "Wendy" in writing the play. There is some evidence that the name Wendy may be related to the Welsh name Gwendolyn, and it is also used as a diminutive variant of the eastern European name "Wanda", but prior to its use in the Peter Pan stories, the name was not used as an independent first name.
John Darling — John is the middle child. He gets along well with Wendy, but he often argues with Michael. He is fascinated with pirates, and he once thought of becoming "Redhanded Jack". He dreams of living in an inverted boat on the sands, where he has no friends and spends his time shooting flamingos. He looks up to Peter Pan, but at times they clash due to Peter's nature of showing off. He also looks up to his father and dreams of running his firm one day when he is grown up. The character of John was named after Jack Llewelyn Davies.
Michael Darling — Michael is the youngest child. He is approximately five years old, as he still wears the pinafores young Edwardian boys wear. He looks up to John and Wendy, dreaming of living in a wigwam where his friends visit at night. He was named after Michael Llewelyn Davies.

Mr. and Mrs. Darling — George and Mary Darling are the children's loving parents. Mr. Darling is a pompous, blustering businessman who seeks to attract attention (from his co-workers to his wife and children), but he is really kind at heart. Mary Darling is described as an intelligent, romantic lady. It is hinted that she knew Peter Pan before her children were born. Mr. Darling was named after the eldest Llewellyn Davies boy, George, and Mrs. Darling was named after Mary Hodgson, the Davies boys' nurse. In the stage version, the same actor who plays Mr. Darling usually also plays Captain Hook.
Nana — Nana is a Newfoundland dog who is employed as a nanny by the Darling family. Nana does not speak or do anything beyond the physical capabilities of a large dog, but acts with apparent understanding of her responsibilities. The character is played in stage productions by an actor in a dog costume. Barrie based the character of Nana on his dog Luath, a Newfoundland.
There is also the servant or maid girl, Liza, who swears she's past ten and thus quite grown up. In the stage version, the same actress who plays Tiger Lily often plays this character.




Lost Boys
Tootles — Tootles is the humblest Lost Boy because he often misses out on their violent adventures. Although he is often stupid, he is always the first to defend Wendy. Ironically, he shoots her before meeting her for the first time because of Tinker Bell's trickery. He grows up to become a judge.
Nibs — Nibs is described as gay and debonair, probably the bravest Lost Boy. He says the only thing he remembers about his mother is she always wanted a cheque-book; he says he would love to give her one. He's also the oldest and best looking Lost Boy.
Slightly — Slightly is the most conceited because he believes he remembers the days before he was "lost". He is the only Lost Boy who "knows" his last name — he says his pinafore had the words "Slightly Soiled" written on the tag. He cuts whistles from the branches of trees, and dances to tunes he creates himself. Slightly is apparently a poor make-believer. He blows big breaths when he feels he is in trouble, and he eventually leads to Peter's almost-downfall.
Curly — Curly is the most troublesome Lost Boy. In Disney's version of the story, he became "Cubby"
The Twins — First and Second Twin know little about themselves — they are not allowed to, because Peter Pan does not know what Twins are (he thinks that twins are two parts of the same person).



Inhabitants of Neverland
Tiger Lily is the proud, beautiful princess of the Piccaninny Tribe. In the book, the Indians of Neverland were portrayed in a nature that is now regarded as stereotypical. Barrie portrayed them as primitive, warlike savages who spoke with guttural voice tones. She is apparently old enough to be married, but she refuses any suitors because she desires Peter over all. She is jealous of Wendy and Tinker Bell. Tiger Lily is nearly killed by Captain Hook when she is seen boarding the Jolly Roger with a knife in her mouth, but Peter saves her. In the stage version, the same actress plays Tiger Lily and the Servant or Maid in the beginning with the Darling family.

Tinker Bell is Peter Pan's fiery, jealous fairy. She is described as a common fairy who mends pots and kettles and, though she is sometimes ill-behaved and vindictive, at other times she is helpful and kind to Peter (for whom she has romantic feelings). The extremes in her personality are explained by the fact that a fairy's size prevents her from holding more than one feeling at a time. In Barrie's book, by Peter's first annual return for Wendy, the boy has forgotten about Tinker Bell and suggests that she "is no more" for fairies do not live long.
Captain James Hook is the vengeful pirate who lives to kill Peter Pan, not so much because Peter cut off his right hand, but because the boy is "cocky" and drives the genteel pirate to "madness". He is captain of the ship Jolly Roger. He attended Eton College before becoming a pirate and is obsessed with "good form". Hook meets his demise when a crocodile eats him. In the stage version, the same actor who plays Mr. Darling also plays this character.

Mr. Smee is an Irish nonconformist pirate. He is the boatswain of the Jolly Roger. Smee is one of only two pirates to survive Peter Pan's massacre. He then makes his living saying he was the only man James Hook ever feared.
Gentleman Starkey was once an usher at a public school. He is Captain Hook's first mate. Starkey is one of two pirates who escaped Peter Pan's massacre — he swims ashore and becomes baby-sitter to the Piccaninny Tribe. Peter Pan gives Starkey's hat to the Never Bird to use as a nest.
Fairies — In the novel Peter and Wendy, published in 1911, there are fairies on Neverland. In the part of the story where Peter Pan and the Lost Boys built a house for Wendy on Neverland, Peter Pan stays up late that night to guard her from the pirates, but then the story says: "After a time he fell asleep, and some unsteady fairies had to climb over him on their way home from an orgy. Any of the other boys obstructing the fairy path at night they would have mischiefed, but they just tweaked Peter's nose and passed on." In the early 20th Century, the word "orgy" generally referred to a large group of people consuming alcohol.

 

 



"Peter Pan in Kensington Gardens"


From Wikipedia, the free encyclopedia
 


Peter Pan in Kensington Gardens is a novel by James M. Barrie, published in 1906; it is one of four major literary works by Barrie featuring the widely known literary character he originated, Peter Pan.
 

Plot summary
Peter is a seven-day-old infant who, "like all infants", used to be part bird. Peter has complete faith in his flying abilities, so, upon hearing a discussion of his adult life, he is able to escape out of the window of his London home and return to Kensington Gardens. Upon returning to the Gardens, Peter is shocked to learn from the crow Solomon Caw that he is not still a bird, but more like a human - Solomon says he is crossed between them as a "Betwixt-and-Between". Unfortunately, Peter now knows he cannot fly, so he is stranded in Kensington Gardens. At first, Peter can only get around on foot, but he commissions the building of a child-sized thrush's nest that he can use as a boat to navigate the Gardens by way of the Serpentine River.

Although he terrifies the fairies when he first arrives, Peter quickly gains favor with them. He amuses them with his human ways, and agrees to play the panpipes at the fairy dances. Eventually, Queen Mab grants him the wish of his heart and he decides to return home to his mother. The fairies reluctantly help him to fly home, where he finds his mother is asleep in his old bedroom.

Peter feels rather guilty for leaving his mother, mostly due to the fact that he believes she misses him terribly. He considers returning to live with her and decides to go back to the Gardens to say his last good-byes. Unfortunately, Peter stays too long in the Gardens and when he uses his second wish to go home permanently he is devastated to learn that, in his absence, his mother has given birth to another boy she can love. Peter returns, heartbroken, to Kensington Gardens.

Peter later meets a little girl named Maimie Mannering who is lost in the Gardens. He and Maimie become fast friends, and little Peter asks her to marry him. Maimie is going to stay with him, but realizes that her mother must be missing her dreadfully, so she leaves Peter to return home. Maimie does not forget Peter, however, and when she is older she makes presents and letters for him. She even gives him an imaginary goat which he rides around every night. Maimie is the literary predecessor to the character Wendy Darling in Barrie's later Peter and Wendy story.

Throughout the novel, Peter misunderstands simple things like children's games. He does not know what a pram is, mistaking it for an animal, and he becomes extremely attached to a boy's lost kite. It is only when Maimie tells him, that he discovers he plays all his games incorrectly. When Peter is not playing, he likes to make graves for the children who get lost at night, burying them with little headstones in the Gardens.

 

Related works

Most of the text of Peter Pan in Kensington Gardens was included as chapters 13-18 of Barrie's earlier novel The Little White Bird, published in 1902, with minor differences appearing on only nine pages of the separately published 1906 novel. The Little White Bird was published as a novel for adult readers; whereas Peter Pan in Kensington Gardens was published specifically as a children's book.

In 1904, Barrie wrote a stage play titled Peter Pan, or the Boy Who Would Not Grow Up, performed in December of that year, although it had not yet been published. The play is not a sequel or adaptation of the earlier novel; it is a different story, though closely based on the literary style, subtext concepts, and the Peter Pan character he had developed in The Little White Bird and Peter Pan in Kensington Gardens. In the play and later novel, Peter Pan as a character, is portrayed as a few years older than the Peter Pan of Kensington Gardens. The stage play became the basis for Barrie's 1911 novel Peter and Wendy (later published under the title Peter Pan and Wendy in 1921, with subsequent publications using the title Peter Pan). The script of the stage play itself was published later in 1928.

 

Statue of Peter Pan in Kensington Gardens, London, UK

 

 



"PETER PAN"

 

"PETER AND WENDY"



Illustrations by F. D. Bedford




 

Contents

Chapter 1 PETER BREAKS THROUGH
Chapter 2 THE SHADOW
Chapter 3 COME AWAY, COME AWAY!
Chapter 4 THE FLIGHT
Chapter 5 THE ISLAND COME TRUE

Chapter 6 THE LITTLE HOUSE
Chapter 7 THE HOME UNDER THE GROUND
Chapter 8 THE MERMAIDS' LAGOON
Chapter 9 THE NEVER BIRD
Chapter 10 THE HAPPY HOME
Chapter 11 WENDY'S STORY
Chapter 12 THE CHILDREN ARE CARRIED OFF
Chapter 13 DO YOU BELIEVE IN FAIRIES?
Chapter 14 THE PIRATE SHIP
Chapter 15 "HOOK OR ME THIS TIME"
Chapter 16 THE RETURN HOME
Chapter 17 WHEN WENDY GREW UP

 

 


Chapter 1


PETER BREAKS THROUGH
 

All children, except one, grow up. They soon know that they will grow up, and the way Wendy knew was this. One day when she was two years old she was playing in a garden, and she plucked another flower and ran with it to her mother. I suppose she must have looked rather delightful, for Mrs. Darling put her hand to her heart and cried, "Oh, why can't you remain like this for ever!" This was all that passed between them on the subject, but henceforth Wendy knew that she must grow up. You always know after you are two. Two is the beginning of the end.

Of course they lived at 14 [their house number on their street], and until Wendy came her mother was the chief one. She was a lovely lady, with a romantic mind and such a sweet mocking mouth. Her romantic mind was like the tiny boxes, one within the other, that come from the puzzling East, however many you discover there is always one more; and her sweet mocking mouth had one kiss on it that Wendy could never get, though there it was, perfectly conspicuous in the right-hand corner.

The way Mr. Darling won her was this: the many gentlemen who had been boys when she was a girl discovered simultaneously that they loved her, and they all ran to her house to propose to her except Mr. Darling, who took a cab and nipped in first, and so he got her. He got all of her, except the innermost box and the kiss. He never knew about the box, and in time he gave up trying for the kiss. Wendy thought Napoleon could have got it, but I can picture him trying, and then going off in a passion, slamming the door.

Mr. Darling used to boast to Wendy that her mother not only loved him but respected him. He was one of those deep ones who know about stocks and shares. Of course no one really knows, but he quite seemed to know, and he often said stocks were up and shares were down in a way that would have made any woman respect him.

Mrs. Darling was married in white, and at first she kept the books perfectly, almost gleefully, as if it were a game, not so much as a Brussels sprout was missing; but by and by whole cauliflowers dropped out, and instead of them there were pictures of babies without faces. She drew them when she should have been totting up. They were Mrs. Darling's guesses.

Wendy came first, then John, then Michael.

For a week or two after Wendy came it was doubtful whether they would be able to keep her, as she was another mouth to feed. Mr. Darling was frightfully proud of her, but he was very honourable, and he sat on the edge of Mrs. Darling's bed, holding her hand and calculating expenses, while she looked at him imploringly. She wanted to risk it, come what might, but that was not his way; his way was with a pencil and a piece of paper, and if she confused him with suggestions he had to begin at the beginning again.

"Now don't interrupt," he would beg of her.

"I have one pound seventeen here, and two and six at the office; I can cut off my coffee at the office, say ten shillings, making two nine and six, with your eighteen and three makes three nine seven, with five naught naught in my cheque-book makes eight nine seven—who is that moving?—eight nine seven, dot and carry seven—don't speak, my own—and the pound you lent to that man who came to the door—quiet, child—dot and carry child—there, you've done it!—did I say nine nine seven? yes, I said nine nine seven; the question is, can we try it for a year on nine nine seven?"

"Of course we can, George," she cried. But she was prejudiced in Wendy's favour, and he was really the grander character of the two.

"Remember mumps," he warned her almost threateningly, and off he went again. "Mumps one pound, that is what I have put down, but I daresay it will be more like thirty shillings—don't speak—measles one five, German measles half a guinea, makes two fifteen six—don't waggle your finger—whooping-cough, say fifteen shillings"—and so on it went, and it added up differently each time; but at last Wendy just got through, with mumps reduced to twelve six, and the two kinds of measles treated as one.

There was the same excitement over John, and Michael had even a narrower squeak; but both were kept, and soon, you might have seen the three of them going in a row to Miss Fulsom's Kindergarten school, accompanied by their nurse.

Mrs. Darling loved to have everything just so, and Mr. Darling had a passion for being exactly like his neighbours; so, of course, they had a nurse. As they were poor, owing to the amount of milk the children drank, this nurse was a prim Newfoundland dog, called Nana, who had belonged to no one in particular until the Darlings engaged her. She had always thought children important, however, and the Darlings had become acquainted with her in Kensington Gardens, where she spent most of her spare time peeping into perambulators, and was much hated by careless nursemaids, whom she followed to their homes and complained of to their mistresses. She proved to be quite a treasure of a nurse. How thorough she was at bath-time, and up at any moment of the night if one of her charges made the slightest cry. Of course her kennel was in the nursery. She had a genius for knowing when a cough is a thing to have no patience with and when it needs stocking around your throat. She believed to her last day in old-fashioned remedies like rhubarb leaf, and made sounds of contempt over all this new-fangled talk about germs, and so on. It was a lesson in propriety to see her escorting the children to school, walking sedately by their side when they were well behaved, and butting them back into line if they strayed. On John's footer [in England soccer was called football, "footer" for short] days she never once forgot his sweater, and she usually carried an umbrella in her mouth in case of rain. There is a room in the basement of Miss Fulsom's school where the nurses wait. They sat on forms, while Nana lay on the floor, but that was the only difference. They affected to ignore her as of an inferior social status to themselves, and she despised their light talk. She resented visits to the nursery from Mrs. Darling's friends, but if they did come she first whipped off Michael's pinafore and put him into the one with blue braiding, and smoothed out Wendy and made a dash at John's hair.

No nursery could possibly have been conducted more correctly, and Mr. Darling knew it, yet he sometimes wondered uneasily whether the neighbours talked.

He had his position in the city to consider.

Nana also troubled him in another way. He had sometimes a feeling that she did not admire him. "I know she admires you tremendously, George," Mrs. Darling would assure him, and then she would sign to the children to be specially nice to father. Lovely dances followed, in which the only other servant, Liza, was sometimes allowed to join. Such a midget she looked in her long skirt and maid's cap, though she had sworn, when engaged, that she would never see ten again. The gaiety of those romps! And gayest of all was Mrs. Darling, who would pirouette so wildly that all you could see of her was the kiss, and then if you had dashed at her you might have got it. There never was a simpler happier family until the coming of Peter Pan.

Mrs. Darling first heard of Peter when she was tidying up her children's minds. It is the nightly custom of every good mother after her children are asleep to rummage in their minds and put things straight for next morning, repacking into their proper places the many articles that have wandered during the day. If you could keep awake (but of course you can't) you would see your own mother doing this, and you would find it very interesting to watch her. It is quite like tidying up drawers. You would see her on her knees, I expect, lingering humorously over some of your contents, wondering where on earth you had picked this thing up, making discoveries sweet and not so sweet, pressing this to her cheek as if it were as nice as a kitten, and hurriedly stowing that out of sight. When you wake in the morning, the naughtiness and evil passions with which you went to bed have been folded up small and placed at the bottom of your mind and on the top, beautifully aired, are spread out your prettier thoughts, ready for you to put on.

I don't know whether you have ever seen a map of a person's mind. Doctors sometimes draw maps of other parts of you, and your own map can become intensely interesting, but catch them trying to draw a map of a child's mind, which is not only confused, but keeps going round all the time. There are zigzag lines on it, just like your temperature on a card, and these are probably roads in the island, for the Neverland is always more or less an island, with astonishing splashes of colour here and there, and coral reefs and rakish-looking craft in the offing, and savages and lonely lairs, and gnomes who are mostly tailors, and caves through which a river runs, and princes with six elder brothers, and a hut fast going to decay, and one very small old lady with a hooked nose. It would be an easy map if that were all, but there is also first day at school, religion, fathers, the round pond, needle-work, murders, hangings, verbs that take the dative, chocolate pudding day, getting into braces, say ninety-nine, three-pence for pulling out your tooth yourself, and so on, and either these are part of the island or they are another map showing through, and it is all rather confusing, especially as nothing will stand still.

Of course the Neverlands vary a good deal. John's, for instance, had a lagoon with flamingoes flying over it at which John was shooting, while Michael, who was very small, had a flamingo with lagoons flying over it. John lived in a boat turned upside down on the sands, Michael in a wigwam, Wendy in a house of leaves deftly sewn together. John had no friends, Michael had friends at night, Wendy had a pet wolf forsaken by its parents, but on the whole the Neverlands have a family resemblance, and if they stood still in a row you could say of them that they have each other's nose, and so forth. On these magic shores children at play are for ever beaching their coracles [simple boat]. We too have been there; we can still hear the sound of the surf, though we shall land no more.

Of all delectable islands the Neverland is the snuggest and most compact, not large and sprawly, you know, with tedious distances between one adventure and another, but nicely crammed. When you play at it by day with the chairs and table-cloth, it is not in the least alarming, but in the two minutes before you go to sleep it becomes very real. That is why there are night-lights.

Occasionally in her travels through her children's minds Mrs. Darling found things she could not understand, and of these quite the most perplexing was the word Peter. She knew of no Peter, and yet he was here and there in John and Michael's minds, while Wendy's began to be scrawled all over with him. The name stood out in bolder letters than any of the other words, and as Mrs. Darling gazed she felt that it had an oddly cocky appearance.

"Yes, he is rather cocky," Wendy admitted with regret. Her mother had been questioning her.

"But who is he, my pet?"

"He is Peter Pan, you know, mother."

At first Mrs. Darling did not know, but after thinking back into her childhood she just remembered a Peter Pan who was said to live with the fairies. There were odd stories about him, as that when children died he went part of the way with them, so that they should not be frightened. She had believed in him at the time, but now that she was married and full of sense she quite doubted whether there was any such person.

"Besides," she said to Wendy, "he would be grown up by this time."

"Oh no, he isn't grown up," Wendy assured her confidently, "and he is just my size." She meant that he was her size in both mind and body; she didn't know how she knew, she just knew it.

Mrs. Darling consulted Mr. Darling, but he smiled pooh-pooh. "Mark my words," he said, "it is some nonsense Nana has been putting into their heads; just the sort of idea a dog would have. Leave it alone, and it will blow over."

But it would not blow over and soon the troublesome boy gave Mrs. Darling quite a shock.

Children have the strangest adventures without being troubled by them. For instance, they may remember to mention, a week after the event happened, that when they were in the wood they had met their dead father and had a game with him. It was in this casual way that Wendy one morning made a disquieting revelation. Some leaves of a tree had been found on the nursery floor, which certainly were not there when the children went to bed, and Mrs. Darling was puzzling over them when Wendy said with a tolerant smile:

"I do believe it is that Peter again!"

"Whatever do you mean, Wendy?"

"It is so naughty of him not to wipe his feet," Wendy said, sighing. She was a tidy child.

She explained in quite a matter-of-fact way that she thought Peter sometimes came to the nursery in the night and sat on the foot of her bed and played on his pipes to her. Unfortunately she never woke, so she didn't know how she knew, she just knew.

"What nonsense you talk, precious. No one can get into the house without knocking."

"I think he comes in by the window," she said.

"My love, it is three floors up."

"Were not the leaves at the foot of the window, mother?"

It was quite true; the leaves had been found very near the window.

Mrs. Darling did not know what to think, for it all seemed so natural to Wendy that you could not dismiss it by saying she had been dreaming.

"My child," the mother cried, "why did you not tell me of this before?"

"I forgot," said Wendy lightly. She was in a hurry to get her breakfast.

Oh, surely she must have been dreaming.

But, on the other hand, there were the leaves. Mrs. Darling examined them very carefully; they were skeleton leaves, but she was sure they did not come from any tree that grew in England. She crawled about the floor, peering at it with a candle for marks of a strange foot. She rattled the poker up the chimney and tapped the walls. She let down a tape from the window to the pavement, and it was a sheer drop of thirty feet, without so much as a spout to climb up by.

Certainly Wendy had been dreaming.

But Wendy had not been dreaming, as the very next night showed, the night on which the extraordinary adventures of these children may be said to have begun.

On the night we speak of all the children were once more in bed. It happened to be Nana's evening off, and Mrs. Darling had bathed them and sung to them till one by one they had let go her hand and slid away into the land of sleep.

All were looking so safe and cosy that she smiled at her fears now and sat down tranquilly by the fire to sew.

It was something for Michael, who on his birthday was getting into shirts. The fire was warm, however, and the nursery dimly lit by three night-lights, and presently the sewing lay on Mrs. Darling's lap. Then her head nodded, oh, so gracefully. She was asleep. Look at the four of them, Wendy and Michael over there, John here, and Mrs. Darling by the fire. There should have been a fourth night-light.

While she slept she had a dream. She dreamt that the Neverland had come too near and that a strange boy had broken through from it. He did not alarm her, for she thought she had seen him before in the faces of many women who have no children. Perhaps he is to be found in the faces of some mothers also. But in her dream he had rent the film that obscures the Neverland, and she saw Wendy and John and Michael peeping through the gap.

The dream by itself would have been a trifle, but while she was dreaming the window of the nursery blew open, and a boy did drop on the floor. He was accompanied by a strange light, no bigger than your fist, which darted about the room like a living thing and I think it must have been this light that wakened Mrs. Darling.

She started up with a cry, and saw the boy, and somehow she knew at once that he was Peter Pan. If you or I or Wendy had been there we should have seen that he was very like Mrs. Darling's kiss. He was a lovely boy, clad in skeleton leaves and the juices that ooze out of trees but the most entrancing thing about him was that he had all his first teeth. When he saw she was a grown-up, he gnashed the little pearls at her.







Chapter 2


THE SHADOW
 

Mrs. Darling screamed, and, as if in answer to a bell, the door opened, and Nana entered, returned from her evening out. She growled and sprang at the boy, who leapt lightly through the window. Again Mrs. Darling screamed, this time in distress for him, for she thought he was killed, and she ran down into the street to look for his little body, but it was not there; and she looked up, and in the black night she could see nothing but what she thought was a shooting star.

She returned to the nursery, and found Nana with something in her mouth, which proved to be the boy's shadow. As he leapt at the window Nana had closed it quickly, too late to catch him, but his shadow had not had time to get out; slam went the window and snapped it off.

You may be sure Mrs. Darling examined the shadow carefully, but it was quite the ordinary kind.

Nana had no doubt of what was the best thing to do with this shadow. She hung it out at the window, meaning "He is sure to come back for it; let us put it where he can get it easily without disturbing the children."

But unfortunately Mrs. Darling could not leave it hanging out at the window, it looked so like the washing and lowered the whole tone of the house. She thought of showing it to Mr. Darling, but he was totting up winter great-coats for John and Michael, with a wet towel around his head to keep his brain clear, and it seemed a shame to trouble him; besides, she knew exactly what he would say: "It all comes of having a dog for a nurse."

She decided to roll the shadow up and put it away carefully in a drawer, until a fitting opportunity came for telling her husband. Ah me!

The opportunity came a week later, on that never-to-be-forgotten Friday. Of course it was a Friday.

"I ought to have been specially careful on a Friday," she used to say afterwards to her husband, while perhaps Nana was on the other side of her, holding her hand.

"No, no," Mr. Darling always said, "I am responsible for it all. I, George Darling, did it. MEA CULPA, MEA CULPA." He had had a classical education.

They sat thus night after night recalling that fatal Friday, till every detail of it was stamped on their brains and came through on the other side like the faces on a bad coinage.

"If only I had not accepted that invitation to dine at 27," Mrs. Darling said.

"If only I had not poured my medicine into Nana's bowl," said Mr. Darling.

"If only I had pretended to like the medicine," was what Nana's wet eyes said.

"My liking for parties, George."

"My fatal gift of humour, dearest."

"My touchiness about trifles, dear master and mistress."

Then one or more of them would break down altogether; Nana at the thought, "It's true, it's true, they ought not to have had a dog for a nurse." Many a time it was Mr. Darling who put the handkerchief to Nana's eyes.

"That fiend!" Mr. Darling would cry, and Nana's bark was the echo of it, but Mrs. Darling never upbraided Peter; there was something in the right-hand corner of her mouth that wanted her not to call Peter names.

They would sit there in the empty nursery, recalling fondly every smallest detail of that dreadful evening. It had begun so uneventfully, so precisely like a hundred other evenings, with Nana putting on the water for Michael's bath and carrying him to it on her back.

"I won't go to bed," he had shouted, like one who still believed that he had the last word on the subject, "I won't, I won't. Nana, it isn't six o'clock yet. Oh dear, oh dear, I shan't love you any more, Nana. I tell you I won't be bathed, I won't, I won't!"

Then Mrs. Darling had come in, wearing her white evening-gown. She had dressed early because Wendy so loved to see her in her evening-gown, with the necklace George had given her. She was wearing Wendy's bracelet on her arm; she had asked for the loan of it. Wendy loved to lend her bracelet to her mother.

She had found her two older children playing at being herself and father on the occasion of Wendy's birth, and John was saying:

"I am happy to inform you, Mrs. Darling, that you are now a mother," in just such a tone as Mr. Darling himself may have used on the real occasion.

Wendy had danced with joy, just as the real Mrs. Darling must have done.

Then John was born, with the extra pomp that he conceived due to the birth of a male, and Michael came from his bath to ask to be born also, but John said brutally that they did not want any more.

Michael had nearly cried. "Nobody wants me," he said, and of course the lady in the evening-dress could not stand that.

"I do," she said, "I so want a third child."

"Boy or girl?" asked Michael, not too hopefully.

"Boy."

Then he had leapt into her arms. Such a little thing for Mr. and Mrs. Darling and Nana to recall now, but not so little if that was to be Michael's last night in the nursery.

They go on with their recollections.

"It was then that I rushed in like a tornado, wasn't it?" Mr. Darling would say, scorning himself; and indeed he had been like a tornado.

Perhaps there was some excuse for him. He, too, had been dressing for the party, and all had gone well with him until he came to his tie. It is an astounding thing to have to tell, but this man, though he knew about stocks and shares, had no real mastery of his tie. Sometimes the thing yielded to him without a contest, but there were occasions when it would have been better for the house if he had swallowed his pride and used a made-up tie.

This was such an occasion. He came rushing into the nursery with the crumpled little brute of a tie in his hand.

"Why, what is the matter, father dear?"

"Matter!" he yelled; he really yelled. "This tie, it will not tie." He became dangerously sarcastic. "Not round my neck! Round the bed-post! Oh yes, twenty times have I made it up round the bed-post, but round my neck, no! Oh dear no! begs to be excused!"

He thought Mrs. Darling was not sufficiently impressed, and he went on sternly, "I warn you of this, mother, that unless this tie is round my neck we don't go out to dinner to-night, and if I don't go out to dinner to-night, I never go to the office again, and if I don't go to the office again, you and I starve, and our children will be flung into the streets."

Even then Mrs. Darling was placid. "Let me try, dear," she said, and indeed that was what he had come to ask her to do, and with her nice cool hands she tied his tie for him, while the children stood around to see their fate decided. Some men would have resented her being able to do it so easily, but Mr. Darling had far too fine a nature for that; he thanked her carelessly, at once forgot his rage, and in another moment was dancing round the room with Michael on his back.

"How wildly we romped!" says Mrs. Darling now, recalling it.

"Our last romp!" Mr. Darling groaned.

"O George, do you remember Michael suddenly said to me, 'How did you get to know me, mother?'"

"I remember!"

"They were rather sweet, don't you think, George?"

"And they were ours, ours! and now they are gone."

The romp had ended with the appearance of Nana, and most unluckily Mr. Darling collided against her, covering his trousers with hairs. They were not only new trousers, but they were the first he had ever had with braid on them, and he had had to bite his lip to prevent the tears coming. Of course Mrs. Darling brushed him, but he began to talk again about its being a mistake to have a dog for a nurse.

"George, Nana is a treasure."

"No doubt, but I have an uneasy feeling at times that she looks upon the children as puppies."

"Oh no, dear one, I feel sure she knows they have souls."

"I wonder," Mr. Darling said thoughtfully, "I wonder." It was an opportunity, his wife felt, for telling him about the boy. At first he pooh-poohed the story, but he became thoughtful when she showed him the shadow.

"It is nobody I know," he said, examining it carefully, "but it does look a scoundrel."

"We were still discussing it, you remember," says Mr. Darling, "when Nana came in with Michael's medicine. You will never carry the bottle in your mouth again, Nana, and it is all my fault."

Strong man though he was, there is no doubt that he had behaved rather foolishly over the medicine. If he had a weakness, it was for thinking that all his life he had taken medicine boldly, and so now, when Michael dodged the spoon in Nana's mouth, he had said reprovingly, "Be a man, Michael."

"Won't; won't!" Michael cried naughtily. Mrs. Darling left the room to get a chocolate for him, and Mr. Darling thought this showed want of firmness.

"Mother, don't pamper him," he called after her. "Michael, when I was your age I took medicine without a murmur. I said, 'Thank you, kind parents, for giving me bottles to make we well.'"

He really thought this was true, and Wendy, who was now in her night-gown, believed it also, and she said, to encourage Michael, "That medicine you sometimes take, father, is much nastier, isn't it?"

"Ever so much nastier," Mr. Darling said bravely, "and I would take it now as an example to you, Michael, if I hadn't lost the bottle."

He had not exactly lost it; he had climbed in the dead of night to the top of the wardrobe and hidden it there. What he did not know was that the faithful Liza had found it, and put it back on his wash-stand.

"I know where it is, father," Wendy cried, always glad to be of service. "I'll bring it," and she was off before he could stop her. Immediately his spirits sank in the strangest way.

"John," he said, shuddering, "it's most beastly stuff. It's that nasty, sticky, sweet kind."

"It will soon be over, father," John said cheerily, and then in rushed Wendy with the medicine in a glass.

"I have been as quick as I could," she panted.

"You have been wonderfully quick," her father retorted, with a vindictive politeness that was quite thrown away upon her. "Michael first," he said doggedly.

"Father first," said Michael, who was of a suspicious nature.

"I shall be sick, you know," Mr. Darling said threateningly.

"Come on, father," said John.

"Hold your tongue, John," his father rapped out.

Wendy was quite puzzled. "I thought you took it quite easily, father."

"That is not the point," he retorted. "The point is, that there is more in my glass than in Michael's spoon." His proud heart was nearly bursting. "And it isn't fair: I would say it though it were with my last breath; it isn't fair."

"Father, I am waiting," said Michael coldly.

"It's all very well to say you are waiting; so am I waiting."

"Father's a cowardly custard."

"So are you a cowardly custard."

"I'm not frightened."

"Neither am I frightened."

"Well, then, take it."

"Well, then, you take it."

Wendy had a splendid idea. "Why not both take it at the same time?"

"Certainly," said Mr. Darling. "Are you ready, Michael?"

Wendy gave the words, one, two, three, and Michael took his medicine, but Mr. Darling slipped his behind his back.

There was a yell of rage from Michael, and "O father!" Wendy exclaimed.

"What do you mean by 'O father'?" Mr. Darling demanded. "Stop that row, Michael. I meant to take mine, but I—I missed it."

It was dreadful the way all the three were looking at him, just as if they did not admire him. "Look here, all of you," he said entreatingly, as soon as Nana had gone into the bathroom. "I have just thought of a splendid joke. I shall pour my medicine into Nana's bowl, and she will drink it, thinking it is milk!"

It was the colour of milk; but the children did not have their father's sense of humour, and they looked at him reproachfully as he poured the medicine into Nana's bowl. "What fun!" he said doubtfully, and they did not dare expose him when Mrs. Darling and Nana returned.

"Nana, good dog," he said, patting her, "I have put a little milk into your bowl, Nana."

Nana wagged her tail, ran to the medicine, and began lapping it. Then she gave Mr. Darling such a look, not an angry look: she showed him the great red tear that makes us so sorry for noble dogs, and crept into her kennel.

Mr. Darling was frightfully ashamed of himself, but he would not give in. In a horrid silence Mrs. Darling smelt the bowl. "O George," she said, "it's your medicine!"

"It was only a joke," he roared, while she comforted her boys, and Wendy hugged Nana. "Much good," he said bitterly, "my wearing myself to the bone trying to be funny in this house."

And still Wendy hugged Nana. "That's right," he shouted. "Coddle her! Nobody coddles me. Oh dear no! I am only the breadwinner, why should I be coddled—why, why, why!"

"George," Mrs. Darling entreated him, "not so loud; the servants will hear you." Somehow they had got into the way of calling Liza the servants.

"Let them!" he answered recklessly. "Bring in the whole world. But I refuse to allow that dog to lord it in my nursery for an hour longer."

The children wept, and Nana ran to him beseechingly, but he waved her back. He felt he was a strong man again. "In vain, in vain," he cried; "the proper place for you is the yard, and there you go to be tied up this instant."

"George, George," Mrs. Darling whispered, "remember what I told you about that boy."

Alas, he would not listen. He was determined to show who was master in that house, and when commands would not draw Nana from the kennel, he lured her out of it with honeyed words, and seizing her roughly, dragged her from the nursery. He was ashamed of himself, and yet he did it. It was all owing to his too affectionate nature, which craved for admiration. When he had tied her up in the back-yard, the wretched father went and sat in the passage, with his knuckles to his eyes.

In the meantime Mrs. Darling had put the children to bed in unwonted silence and lit their night-lights. They could hear Nana barking, and John whimpered, "It is because he is chaining her up in the yard," but Wendy was wiser.

"That is not Nana's unhappy bark," she said, little guessing what was about to happen; "that is her bark when she smells danger."

Danger!

"Are you sure, Wendy?"

"Oh, yes."

Mrs. Darling quivered and went to the window. It was securely fastened. She looked out, and the night was peppered with stars. They were crowding round the house, as if curious to see what was to take place there, but she did not notice this, nor that one or two of the smaller ones winked at her. Yet a nameless fear clutched at her heart and made her cry, "Oh, how I wish that I wasn't going to a party to-night!"

Even Michael, already half asleep, knew that she was perturbed, and he asked, "Can anything harm us, mother, after the night-lights are lit?"

"Nothing, precious," she said; "they are the eyes a mother leaves behind her to guard her children."

She went from bed to bed singing enchantments over them, and little Michael flung his arms round her. "Mother," he cried, "I'm glad of you." They were the last words she was to hear from him for a long time.

No. 27 was only a few yards distant, but there had been a slight fall of snow, and Father and Mother Darling picked their way over it deftly not to soil their shoes. They were already the only persons in the street, and all the stars were watching them. Stars are beautiful, but they may not take an active part in anything, they must just look on for ever. It is a punishment put on them for something they did so long ago that no star now knows what it was. So the older ones have become glassy-eyed and seldom speak (winking is the star language), but the little ones still wonder. They are not really friendly to Peter, who had a mischievous way of stealing up behind them and trying to blow them out; but they are so fond of fun that they were on his side to-night, and anxious to get the grown-ups out of the way. So as soon as the door of 27 closed on Mr. and Mrs. Darling there was a commotion in the firmament, and the smallest of all the stars in the Milky Way screamed out:

"Now, Peter!"






Chapter 3


COME AWAY, COME AWAY!
 

For a moment after Mr. and Mrs. Darling left the house the night-lights by the beds of the three children continued to burn clearly. They were awfully nice little night-lights, and one cannot help wishing that they could have kept awake to see Peter; but Wendy's light blinked and gave such a yawn that the other two yawned also, and before they could close their mouths all the three went out.

There was another light in the room now, a thousand times brighter than the night-lights, and in the time we have taken to say this, it had been in all the drawers in the nursery, looking for Peter's shadow, rummaged the wardrobe and turned every pocket inside out. It was not really a light; it made this light by flashing about so quickly, but when it came to rest for a second you saw it was a fairy, no longer than your hand, but still growing. It was a girl called Tinker Bell exquisitely gowned in a skeleton leaf, cut low and square, through which her figure could be seen to the best advantage. She was slightly inclined to EMBONPOINT. [plump hourglass figure]

A moment after the fairy's entrance the window was blown open by the breathing of the little stars, and Peter dropped in. He had carried Tinker Bell part of the way, and his hand was still messy with the fairy dust.

"Tinker Bell," he called softly, after making sure that the children were asleep, "Tink, where are you?" She was in a jug for the moment, and liking it extremely; she had never been in a jug before.

"Oh, do come out of that jug, and tell me, do you know where they put my shadow?"

The loveliest tinkle as of golden bells answered him. It is the fairy language. You ordinary children can never hear it, but if you were to hear it you would know that you had heard it once before.

Tink said that the shadow was in the big box. She meant the chest of drawers, and Peter jumped at the drawers, scattering their contents to the floor with both hands, as kings toss ha'pence to the crowd. In a moment he had recovered his shadow, and in his delight he forgot that he had shut Tinker Bell up in the drawer.

If he thought at all, but I don't believe he ever thought, it was that he and his shadow, when brought near each other, would join like drops of water, and when they did not he was appalled. He tried to stick it on with soap from the bathroom, but that also failed. A shudder passed through Peter, and he sat on the floor and cried.

His sobs woke Wendy, and she sat up in bed. She was not alarmed to see a stranger crying on the nursery floor; she was only pleasantly interested.

"Boy," she said courteously, "why are you crying?"

Peter could be exceeding polite also, having learned the grand manner at fairy ceremonies, and he rose and bowed to her beautifully. She was much pleased, and bowed beautifully to him from the bed.

"What's your name?" he asked.

"Wendy Moira Angela Darling," she replied with some satisfaction. "What is your name?"

"Peter Pan."

She was already sure that he must be Peter, but it did seem a comparatively short name.

"Is that all?"

"Yes," he said rather sharply. He felt for the first time that it was a shortish name.

"I'm so sorry," said Wendy Moira Angela.

"It doesn't matter," Peter gulped.

She asked where he lived.

"Second to the right," said Peter, "and then straight on till morning."

"What a funny address!"

Peter had a sinking. For the first time he felt that perhaps it was a funny address.

"No, it isn't," he said.

"I mean," Wendy said nicely, remembering that she was hostess, "is that what they put on the letters?"

He wished she had not mentioned letters.

"Don't get any letters," he said contemptuously.

"But your mother gets letters?"

"Don't have a mother," he said. Not only had he no mother, but he had not the slightest desire to have one. He thought them very over-rated persons. Wendy, however, felt at once that she was in the presence of a tragedy.

"O Peter, no wonder you were crying," she said, and got out of bed and ran to him.

"I wasn't crying about mothers," he said rather indignantly. "I was crying because I can't get my shadow to stick on. Besides, I wasn't crying."

"It has come off?"

"Yes."

Then Wendy saw the shadow on the floor, looking so draggled, and she was frightfully sorry for Peter. "How awful!" she said, but she could not help smiling when she saw that he had been trying to stick it on with soap. How exactly like a boy!

Fortunately she knew at once what to do. "It must be sewn on," she said, just a little patronisingly.

"What's sewn?" he asked.

"You're dreadfully ignorant."

"No, I'm not."

But she was exulting in his ignorance. "I shall sew it on for you, my little man," she said, though he was tall as herself, and she got out her housewife [sewing bag], and sewed the shadow on to Peter's foot.

"I daresay it will hurt a little," she warned him.

"Oh, I shan't cry," said Peter, who was already of the opinion that he had never cried in his life. And he clenched his teeth and did not cry, and soon his shadow was behaving properly, though still a little creased.

"Perhaps I should have ironed it," Wendy said thoughtfully, but Peter, boylike, was indifferent to appearances, and he was now jumping about in the wildest glee. Alas, he had already forgotten that he owed his bliss to Wendy. He thought he had attached the shadow himself. "How clever I am!" he crowed rapturously, "oh, the cleverness of me!"

It is humiliating to have to confess that this conceit of Peter was one of his most fascinating qualities. To put it with brutal frankness, there never was a cockier boy.

But for the moment Wendy was shocked. "You conceit [braggart]," she exclaimed, with frightful sarcasm; "of course I did nothing!"

"You did a little," Peter said carelessly, and continued to dance.

"A little!" she replied with hauteur [pride]; "if I am no use I can at least withdraw," and she sprang in the most dignified way into bed and covered her face with the blankets.

To induce her to look up he pretended to be going away, and when this failed he sat on the end of the bed and tapped her gently with his foot. "Wendy," he said, "don't withdraw. I can't help crowing, Wendy, when I'm pleased with myself." Still she would not look up, though she was listening eagerly. "Wendy," he continued, in a voice that no woman has ever yet been able to resist, "Wendy, one girl is more use than twenty boys."

Now Wendy was every inch a woman, though there were not very many inches, and she peeped out of the bed-clothes.

"Do you really think so, Peter?"

"Yes, I do."

"I think it's perfectly sweet of you," she declared, "and I'll get up again," and she sat with him on the side of the bed. She also said she would give him a kiss if he liked, but Peter did not know what she meant, and he held out his hand expectantly.

"Surely you know what a kiss is?" she asked, aghast.

"I shall know when you give it to me," he replied stiffly, and not to hurt his feeling she gave him a thimble.

"Now," said he, "shall I give you a kiss?" and she replied with a slight primness, "If you please." She made herself rather cheap by inclining her face toward him, but he merely dropped an acorn button into her hand, so she slowly returned her face to where it had been before, and said nicely that she would wear his kiss on the chain around her neck. It was lucky that she did put it on that chain, for it was afterwards to save her life.

When people in our set are introduced, it is customary for them to ask each other's age, and so Wendy, who always liked to do the correct thing, asked Peter how old he was. It was not really a happy question to ask him; it was like an examination paper that asks grammar, when what you want to be asked is Kings of England.

"I don't know," he replied uneasily, "but I am quite young." He really knew nothing about it, he had merely suspicions, but he said at a venture, "Wendy, I ran away the day I was born."

Wendy was quite surprised, but interested; and she indicated in the charming drawing-room manner, by a touch on her night-gown, that he could sit nearer her.

"It was because I heard father and mother," he explained in a low voice, "talking about what I was to be when I became a man." He was extraordinarily agitated now. "I don't want ever to be a man," he said with passion. "I want always to be a little boy and to have fun. So I ran away to Kensington Gardens and lived a long long time among the fairies."

She gave him a look of the most intense admiration, and he thought it was because he had run away, but it was really because he knew fairies. Wendy had lived such a home life that to know fairies struck her as quite delightful. She poured out questions about them, to his surprise, for they were rather a nuisance to him, getting in his way and so on, and indeed he sometimes had to give them a hiding [spanking]. Still, he liked them on the whole, and he told her about the beginning of fairies.

"You see, Wendy, when the first baby laughed for the first time, its laugh broke into a thousand pieces, and they all went skipping about, and that was the beginning of fairies."

Tedious talk this, but being a stay-at-home she liked it.

"And so," he went on good-naturedly, "there ought to be one fairy for every boy and girl."

"Ought to be? Isn't there?"

"No. You see children know such a lot now, they soon don't believe in fairies, and every time a child says, 'I don't believe in fairies,' there is a fairy somewhere that falls down dead."

Really, he thought they had now talked enough about fairies, and it struck him that Tinker Bell was keeping very quiet. "I can't think where she has gone to," he said, rising, and he called Tink by name. Wendy's heart went flutter with a sudden thrill.

"Peter," she cried, clutching him, "you don't mean to tell me that there is a fairy in this room!"

"She was here just now," he said a little impatiently. "You don't hear her, do you?" and they both listened.

"The only sound I hear," said Wendy, "is like a tinkle of bells."

"Well, that's Tink, that's the fairy language. I think I hear her too."

The sound come from the chest of drawers, and Peter made a merry face. No one could ever look quite so merry as Peter, and the loveliest of gurgles was his laugh. He had his first laugh still.

"Wendy," he whispered gleefully, "I do believe I shut her up in the drawer!"

He let poor Tink out of the drawer, and she flew about the nursery screaming with fury. "You shouldn't say such things," Peter retorted. "Of course I'm very sorry, but how could I know you were in the drawer?"

Wendy was not listening to him. "O Peter," she cried, "if she would only stand still and let me see her!"

"They hardly ever stand still," he said, but for one moment Wendy saw the romantic figure come to rest on the cuckoo clock. "O the lovely!" she cried, though Tink's face was still distorted with passion.

"Tink," said Peter amiably, "this lady says she wishes you were her fairy."

Tinker Bell answered insolently.

"What does she say, Peter?"

He had to translate. "She is not very polite. She says you are a great [huge] ugly girl, and that she is my fairy."

He tried to argue with Tink. "You know you can't be my fairy, Tink, because I am an gentleman and you are a lady."

To this Tink replied in these words, "You silly ass," and disappeared into the bathroom. "She is quite a common fairy," Peter explained apologetically, "she is called Tinker Bell because she mends the pots and kettles [tinker = tin worker]." [Similar to "cinder" plus "elle" to get Cinderella]

They were together in the armchair by this time, and Wendy plied him with more questions.

"If you don't live in Kensington Gardens now—"

"Sometimes I do still."

"But where do you live mostly now?"

"With the lost boys."

"Who are they?"

"They are the children who fall out of their perambulators when the nurse is looking the other way. If they are not claimed in seven days they are sent far away to the Neverland to defray expenses. I'm captain."

"What fun it must be!"

"Yes," said cunning Peter, "but we are rather lonely. You see we have no female companionship."

"Are none of the others girls?"

"Oh, no; girls, you know, are much too clever to fall out of their prams."

This flattered Wendy immensely. "I think," she said, "it is perfectly lovely the way you talk about girls; John there just despises us."

For reply Peter rose and kicked John out of bed, blankets and all; one kick. This seemed to Wendy rather forward for a first meeting, and she told him with spirit that he was not captain in her house. However, John continued to sleep so placidly on the floor that she allowed him to remain there. "And I know you meant to be kind," she said, relenting, "so you may give me a kiss."

For the moment she had forgotten his ignorance about kisses. "I thought you would want it back," he said a little bitterly, and offered to return her the thimble.

"Oh dear," said the nice Wendy, "I don't mean a kiss, I mean a thimble."

"What's that?"

"It's like this." She kissed him.

"Funny!" said Peter gravely. "Now shall I give you a thimble?"

"If you wish to," said Wendy, keeping her head erect this time.

Peter thimbled her, and almost immediately she screeched. "What is it, Wendy?"

"It was exactly as if someone were pulling my hair."

"That must have been Tink. I never knew her so naughty before."

And indeed Tink was darting about again, using offensive language.

"She says she will do that to you, Wendy, every time I give you a thimble."

"But why?"

"Why, Tink?"

Again Tink replied, "You silly ass." Peter could not understand why, but Wendy understood, and she was just slightly disappointed when he admitted that he came to the nursery window not to see her but to listen to stories.

"You see, I don't know any stories. None of the lost boys knows any stories."

"How perfectly awful," Wendy said.

"Do you know," Peter asked "why swallows build in the eaves of houses? It is to listen to the stories. O Wendy, your mother was telling you such a lovely story."

"Which story was it?"

"About the prince who couldn't find the lady who wore the glass slipper."

"Peter," said Wendy excitedly, "that was Cinderella, and he found her, and they lived happily ever after."

Peter was so glad that he rose from the floor, where they had been sitting, and hurried to the window.

"Where are you going?" she cried with misgiving.

"To tell the other boys."

"Don't go Peter," she entreated, "I know such lots of stories."

Those were her precise words, so there can be no denying that it was she who first tempted him.

He came back, and there was a greedy look in his eyes now which ought to have alarmed her, but did not.

"Oh, the stories I could tell to the boys!" she cried, and then Peter gripped her and began to draw her toward the window.

"Let me go!" she ordered him.

"Wendy, do come with me and tell the other boys."

Of course she was very pleased to be asked, but she said, "Oh dear, I can't. Think of mummy! Besides, I can't fly."

"I'll teach you."

"Oh, how lovely to fly."

"I'll teach you how to jump on the wind's back, and then away we go."

"Oo!" she exclaimed rapturously.

"Wendy, Wendy, when you are sleeping in your silly bed you might be flying about with me saying funny things to the stars."

"Oo!"

"And, Wendy, there are mermaids."

"Mermaids! With tails?"

"Such long tails."

"Oh," cried Wendy, "to see a mermaid!"

He had become frightfully cunning. "Wendy," he said, "how we should all respect you."

She was wriggling her body in distress. It was quite as if she were trying to remain on the nursery floor.

But he had no pity for her.

"Wendy," he said, the sly one, "you could tuck us in at night."

"Oo!"

"None of us has ever been tucked in at night."

"Oo," and her arms went out to him.

"And you could darn our clothes, and make pockets for us. None of us has any pockets."

How could she resist. "Of course it's awfully fascinating!" she cried. "Peter, would you teach John and Michael to fly too?"

"If you like," he said indifferently, and she ran to John and Michael and shook them. "Wake up," she cried, "Peter Pan has come and he is to teach us to fly."

John rubbed his eyes. "Then I shall get up," he said. Of course he was on the floor already. "Hallo," he said, "I am up!"

Michael was up by this time also, looking as sharp as a knife with six blades and a saw, but Peter suddenly signed silence. Their faces assumed the awful craftiness of children listening for sounds from the grown-up world. All was as still as salt. Then everything was right. No, stop! Everything was wrong. Nana, who had been barking distressfully all the evening, was quiet now. It was her silence they had heard.

"Out with the light! Hide! Quick!" cried John, taking command for the only time throughout the whole adventure. And thus when Liza entered, holding Nana, the nursery seemed quite its old self, very dark, and you would have sworn you heard its three wicked inmates breathing angelically as they slept. They were really doing it artfully from behind the window curtains.

Liza was in a bad temper, for she was mixing the Christmas puddings in the kitchen, and had been drawn from them, with a raisin still on her cheek, by Nana's absurd suspicions. She thought the best way of getting a little quiet was to take Nana to the nursery for a moment, but in custody of course.

"There, you suspicious brute," she said, not sorry that Nana was in disgrace. "They are perfectly safe, aren't they? Every one of the little angels sound asleep in bed. Listen to their gentle breathing."

Here Michael, encouraged by his success, breathed so loudly that they were nearly detected. Nana knew that kind of breathing, and she tried to drag herself out of Liza's clutches.

But Liza was dense. "No more of it, Nana," she said sternly, pulling her out of the room. "I warn you if bark again I shall go straight for master and missus and bring them home from the party, and then, oh, won't master whip you, just."

She tied the unhappy dog up again, but do you think Nana ceased to bark? Bring master and missus home from the party! Why, that was just what she wanted. Do you think she cared whether she was whipped so long as her charges were safe? Unfortunately Liza returned to her puddings, and Nana, seeing that no help would come from her, strained and strained at the chain until at last she broke it. In another moment she had burst into the dining-room of 27 and flung up her paws to heaven, her most expressive way of making a communication. Mr. and Mrs. Darling knew at once that something terrible was happening in their nursery, and without a good-bye to their hostess they rushed into the street.

But it was now ten minutes since three scoundrels had been breathing behind the curtains, and Peter Pan can do a great deal in ten minutes.

We now return to the nursery.

"It's all right," John announced, emerging from his hiding-place. "I say, Peter, can you really fly?"

Instead of troubling to answer him Peter flew around the room, taking the mantelpiece on the way.

"How topping!" said John and Michael.

"How sweet!" cried Wendy.

"Yes, I'm sweet, oh, I am sweet!" said Peter, forgetting his manners again.

It looked delightfully easy, and they tried it first from the floor and then from the beds, but they always went down instead of up.

"I say, how do you do it?" asked John, rubbing his knee. He was quite a practical boy.

"You just think lovely wonderful thoughts," Peter explained, "and they lift you up in the air."

He showed them again.

"You're so nippy at it," John said, "couldn't you do it very slowly once?"

Peter did it both slowly and quickly. "I've got it now, Wendy!" cried John, but soon he found he had not. Not one of them could fly an inch, though even Michael was in words of two syllables, and Peter did not know A from Z.

Of course Peter had been trifling with them, for no one can fly unless the fairy dust has been blown on him. Fortunately, as we have mentioned, one of his hands was messy with it, and he blew some on each of them, with the most superb results.

"Now just wiggle your shoulders this way," he said, "and let go."

They were all on their beds, and gallant Michael let go first. He did not quite mean to let go, but he did it, and immediately he was borne across the room.

"I flewed!" he screamed while still in mid-air.

John let go and met Wendy near the bathroom.

"Oh, lovely!"

"Oh, ripping!"

"Look at me!"

"Look at me!"

"Look at me!"

They were not nearly so elegant as Peter, they could not help kicking a little, but their heads were bobbing against the ceiling, and there is almost nothing so delicious as that. Peter gave Wendy a hand at first, but had to desist, Tink was so indignant.

Up and down they went, and round and round. Heavenly was Wendy's word.

"I say," cried John, "why shouldn't we all go out?"

Of course it was to this that Peter had been luring them.

Michael was ready: he wanted to see how long it took him to do a billion miles. But Wendy hesitated.

"Mermaids!" said Peter again.

"Oo!"

"And there are pirates."

"Pirates," cried John, seizing his Sunday hat, "let us go at once."

It was just at this moment that Mr. and Mrs. Darling hurried with Nana out of 27. They ran into the middle of the street to look up at the nursery window; and, yes, it was still shut, but the room was ablaze with light, and most heart-gripping sight of all, they could see in shadow on the curtain three little figures in night attire circling round and round, not on the floor but in the air.

Not three figures, four!

In a tremble they opened the street door. Mr. Darling would have rushed upstairs, but Mrs. Darling signed him to go softly. She even tried to make her heart go softly.

Will they reach the nursery in time? If so, how delightful for them, and we shall all breathe a sigh of relief, but there will be no story. On the other hand, if they are not in time, I solemnly promise that it will all come right in the end.

They would have reached the nursery in time had it not been that the little stars were watching them. Once again the stars blew the window open, and that smallest star of all called out:

"Cave, Peter!"

Then Peter knew that there was not a moment to lose. "Come," he cried imperiously, and soared out at once into the night, followed by John and Michael and Wendy.

Mr. and Mrs. Darling and Nana rushed into the nursery too late. The birds were flown.






Chapter 4


THE FLIGHT
 

"Second to the right, and straight on till morning."
 

That, Peter had told Wendy, was the way to the Neverland; but even birds, carrying maps and consulting them at windy corners, could not have sighted it with these instructions. Peter, you see, just said anything that came into his head.

At first his companions trusted him implicitly, and so great were the delights of flying that they wasted time circling round church spires or any other tall objects on the way that took their fancy.

John and Michael raced, Michael getting a start.

They recalled with contempt that not so long ago they had thought themselves fine fellows for being able to fly round a room.

Not long ago. But how long ago? They were flying over the sea before this thought began to disturb Wendy seriously. John thought it was their second sea and their third night.

Sometimes it was dark and sometimes light, and now they were very cold and again too warm. Did they really feel hungry at times, or were they merely pretending, because Peter had such a jolly new way of feeding them? His way was to pursue birds who had food in their mouths suitable for humans and snatch it from them; then the birds would follow and snatch it back; and they would all go chasing each other gaily for miles, parting at last with mutual expressions of good-will. But Wendy noticed with gentle concern that Peter did not seem to know that this was rather an odd way of getting your bread and butter, nor even that there are other ways.

Certainly they did not pretend to be sleepy, they were sleepy; and that was a danger, for the moment they popped off, down they fell. The awful thing was that Peter thought this funny.

"There he goes again!" he would cry gleefully, as Michael suddenly dropped like a stone.

"Save him, save him!" cried Wendy, looking with horror at the cruel sea far below. Eventually Peter would dive through the air, and catch Michael just before he could strike the sea, and it was lovely the way he did it; but he always waited till the last moment, and you felt it was his cleverness that interested him and not the saving of human life. Also he was fond of variety, and the sport that engrossed him one moment would suddenly cease to engage him, so there was always the possibility that the next time you fell he would let you go.

He could sleep in the air without falling, by merely lying on his back and floating, but this was, partly at least, because he was so light that if you got behind him and blew he went faster.

"Do be more polite to him," Wendy whispered to John, when they were playing "Follow my Leader."

"Then tell him to stop showing off," said John.

When playing Follow my Leader, Peter would fly close to the water and touch each shark's tail in passing, just as in the street you may run your finger along an iron railing. They could not follow him in this with much success, so perhaps it was rather like showing off, especially as he kept looking behind to see how many tails they missed.

"You must be nice to him," Wendy impressed on her brothers. "What could we do if he were to leave us!"

"We could go back," Michael said.

"How could we ever find our way back without him?"

"Well, then, we could go on," said John.

"That is the awful thing, John. We should have to go on, for we don't know how to stop."

This was true, Peter had forgotten to show them how to stop.

John said that if the worst came to the worst, all they had to do was to go straight on, for the world was round, and so in time they must come back to their own window.

"And who is to get food for us, John?"

"I nipped a bit out of that eagle's mouth pretty neatly, Wendy."

"After the twentieth try," Wendy reminded him. "And even though we became good a picking up food, see how we bump against clouds and things if he is not near to give us a hand."

Indeed they were constantly bumping. They could now fly strongly, though they still kicked far too much; but if they saw a cloud in front of them, the more they tried to avoid it, the more certainly did they bump into it. If Nana had been with them, she would have had a bandage round Michael's forehead by this time.

Peter was not with them for the moment, and they felt rather lonely up there by themselves. He could go so much faster than they that he would suddenly shoot out of sight, to have some adventure in which they had no share. He would come down laughing over something fearfully funny he had been saying to a star, but he had already forgotten what it was, or he would come up with mermaid scales still sticking to him, and yet not be able to say for certain what had been happening. It was really rather irritating to children who had never seen a mermaid.

"And if he forgets them so quickly," Wendy argued, "how can we expect that he will go on remembering us?"

Indeed, sometimes when he returned he did not remember them, at least not well. Wendy was sure of it. She saw recognition come into his eyes as he was about to pass them the time of day and go on; once even she had to call him by name.

"I'm Wendy," she said agitatedly.

He was very sorry. "I say, Wendy," he whispered to her, "always if you see me forgetting you, just keep on saying 'I'm Wendy,' and then I'll remember."

Of course this was rather unsatisfactory. However, to make amends he showed them how to lie out flat on a strong wind that was going their way, and this was such a pleasant change that they tried it several times and found that they could sleep thus with security. Indeed they would have slept longer, but Peter tired quickly of sleeping, and soon he would cry in his captain voice, "We get off here." So with occasional tiffs, but on the whole rollicking, they drew near the Neverland; for after many moons they did reach it, and, what is more, they had been going pretty straight all the time, not perhaps so much owing to the guidance of Peter or Tink as because the island was looking for them. It is only thus that any one may sight those magic shores.

"There it is," said Peter calmly.

"Where, where?"

"Where all the arrows are pointing."

Indeed a million golden arrows were pointing it out to the children, all directed by their friend the sun, who wanted them to be sure of their way before leaving them for the night.

Wendy and John and Michael stood on tip-toe in the air to get their first sight of the island. Strange to say, they all recognized it at once, and until fear fell upon them they hailed it, not as something long dreamt of and seen at last, but as a familiar friend to whom they were returning home for the holidays.

"John, there's the lagoon."

"Wendy, look at the turtles burying their eggs in the sand."

"I say, John, I see your flamingo with the broken leg!"

"Look, Michael, there's your cave!"

"John, what's that in the brushwood?"

"It's a wolf with her whelps. Wendy, I do believe that's your little whelp!"

"There's my boat, John, with her sides stove in!"

"No, it isn't. Why, we burned your boat."

"That's her, at any rate. I say, John, I see the smoke of the redskin camp!"

"Where? Show me, and I'll tell you by the way smoke curls whether they are on the war-path."

"There, just across the Mysterious River."

"I see now. Yes, they are on the war-path right enough."

Peter was a little annoyed with them for knowing so much, but if he wanted to lord it over them his triumph was at hand, for have I not told you that anon fear fell upon them?

It came as the arrows went, leaving the island in gloom.

In the old days at home the Neverland had always begun to look a little dark and threatening by bedtime. Then unexplored patches arose in it and spread, black shadows moved about in them, the roar of the beasts of prey was quite different now, and above all, you lost the certainty that you would win. You were quite glad that the night-lights were on. You even liked Nana to say that this was just the mantelpiece over here, and that the Neverland was all make-believe.

Of course the Neverland had been make-believe in those days, but it was real now, and there were no night-lights, and it was getting darker every moment, and where was Nana?

They had been flying apart, but they huddled close to Peter now. His careless manner had gone at last, his eyes were sparkling, and a tingle went through them every time they touched his body. They were now over the fearsome island, flying so low that sometimes a tree grazed their feet. Nothing horrid was visible in the air, yet their progress had become slow and laboured, exactly as if they were pushing their way through hostile forces. Sometimes they hung in the air until Peter had beaten on it with his fists.

"They don't want us to land," he explained.

"Who are they?" Wendy whispered, shuddering.

But he could not or would not say. Tinker Bell had been asleep on his shoulder, but now he wakened her and sent her on in front.

Sometimes he poised himself in the air, listening intently, with his hand to his ear, and again he would stare down with eyes so bright that they seemed to bore two holes to earth. Having done these things, he went on again.

His courage was almost appalling. "Would you like an adventure now," he said casually to John, "or would you like to have your tea first?"

Wendy said "tea first" quickly, and Michael pressed her hand in gratitude, but the braver John hesitated.

"What kind of adventure?" he asked cautiously.

"There's a pirate asleep in the pampas just beneath us," Peter told him. "If you like, we'll go down and kill him."

"I don't see him," John said after a long pause.

"I do."

"Suppose," John said, a little huskily, "he were to wake up."

Peter spoke indignantly. "You don't think I would kill him while he was sleeping! I would wake him first, and then kill him. That's the way I always do."

"I say! Do you kill many?"

"Tons."

John said "How ripping," but decided to have tea first. He asked if there were many pirates on the island just now, and Peter said he had never known so many.

"Who is captain now?"

"Hook," answered Peter, and his face became very stern as he said that hated word.

"Jas. Hook?"

"Ay."

Then indeed Michael began to cry, and even John could speak in gulps only, for they knew Hook's reputation.

"He was Blackbeard's bo'sun," John whispered huskily. "He is the worst of them all. He is the only man of whom Barbecue was afraid."

"That's him," said Peter.

"What is he like? Is he big?"

"He is not so big as he was."

"How do you mean?"

"I cut off a bit of him."

"You!"

"Yes, me," said Peter sharply.

"I wasn't meaning to be disrespectful."

"Oh, all right."

"But, I say, what bit?"

"His right hand."

"Then he can't fight now?"

"Oh, can't he just!"

"Left-hander?"

"He has an iron hook instead of a right hand, and he claws with it."

"Claws!"

"I say, John," said Peter.

"Yes."

"Say, 'Ay, ay, sir.'"

"Ay, ay, sir."

"There is one thing," Peter continued, "that every boy who serves under me has to promise, and so must you."

John paled.

"It is this, if we meet Hook in open fight, you must leave him to me."

"I promise," John said loyally.

For the moment they were feeling less eerie, because Tink was flying with them, and in her light they could distinguish each other. Unfortunately she could not fly so slowly as they, and so she had to go round and round them in a circle in which they moved as in a halo. Wendy quite liked it, until Peter pointed out the drawbacks.

"She tells me," he said, "that the pirates sighted us before the darkness came, and got Long Tom out."

"The big gun?"

"Yes. And of course they must see her light, and if they guess we are near it they are sure to let fly."

"Wendy!"

"John!"

"Michael!"

"Tell her to go away at once, Peter," the three cried simultaneously, but he refused.

"She thinks we have lost the way," he replied stiffly, "and she is rather frightened. You don't think I would send her away all by herself when she is frightened!"

For a moment the circle of light was broken, and something gave Peter a loving little pinch.

"Then tell her," Wendy begged, "to put out her light."

"She can't put it out. That is about the only thing fairies can't do. It just goes out of itself when she falls asleep, same as the stars."

"Then tell her to sleep at once," John almost ordered.

"She can't sleep except when she's sleepy. It is the only other thing fairies can't do."

"Seems to me," growled John, "these are the only two things worth doing."

Here he got a pinch, but not a loving one.

"If only one of us had a pocket," Peter said, "we could carry her in it." However, they had set off in such a hurry that there was not a pocket between the four of them.

He had a happy idea. John's hat!

Tink agreed to travel by hat if it was carried in the hand. John carried it, though she had hoped to be carried by Peter. Presently Wendy took the hat, because John said it struck against his knee as he flew; and this, as we shall see, led to mischief, for Tinker Bell hated to be under an obligation to Wendy.

In the black topper the light was completely hidden, and they flew on in silence. It was the stillest silence they had ever known, broken once by a distant lapping, which Peter explained was the wild beasts drinking at the ford, and again by a rasping sound that might have been the branches of trees rubbing together, but he said it was the redskins sharpening their knives.

Even these noises ceased. To Michael the loneliness was dreadful. "If only something would make a sound!" he cried.

As if in answer to his request, the air was rent by the most tremendous crash he had ever heard. The pirates had fired Long Tom at them.

The roar of it echoed through the mountains, and the echoes seemed to cry savagely, "Where are they, where are they, where are they?"

Thus sharply did the terrified three learn the difference between an island of make-believe and the same island come true.

When at last the heavens were steady again, John and Michael found themselves alone in the darkness. John was treading the air mechanically, and Michael without knowing how to float was floating.

"Are you shot?" John whispered tremulously.

"I haven't tried [myself out] yet," Michael whispered back.

We know now that no one had been hit. Peter, however, had been carried by the wind of the shot far out to sea, while Wendy was blown upwards with no companion but Tinker Bell.

It would have been well for Wendy if at that moment she had dropped the hat.

I don't know whether the idea came suddenly to Tink, or whether she had planned it on the way, but she at once popped out of the hat and began to lure Wendy to her destruction.

Tink was not all bad; or, rather, she was all bad just now, but, on the other hand, sometimes she was all good. Fairies have to be one thing or the other, because being so small they unfortunately have room for one feeling only at a time. They are, however, allowed to change, only it must be a complete change. At present she was full of jealousy of Wendy. What she said in her lovely tinkle Wendy could not of course understand, and I believe some of it was bad words, but it sounded kind, and she flew back and forward, plainly meaning "Follow me, and all will be well."

What else could poor Wendy do? She called to Peter and John and Michael, and got only mocking echoes in reply. She did not yet know that Tink hated her with the fierce hatred of a very woman. And so, bewildered, and now staggering in her flight, she followed Tink to her doom.






Chapter 5


THE ISLAND COME TRUE
 

Feeling that Peter was on his way back, the Neverland had again woke into life. We ought to use the pluperfect and say wakened, but woke is better and was always used by Peter.

In his absence things are usually quiet on the island. The fairies take an hour longer in the morning, the beasts attend to their young, the redskins feed heavily for six days and nights, and when pirates and lost boys meet they merely bite their thumbs at each other. But with the coming of Peter, who hates lethargy, they are under way again: if you put your ear to the ground now, you would hear the whole island seething with life.

On this evening the chief forces of the island were disposed as follows. The lost boys were out looking for Peter, the pirates were out looking for the lost boys, the redskins were out looking for the pirates, and the beasts were out looking for the redskins. They were going round and round the island, but they did not meet because all were going at the same rate.

All wanted blood except the boys, who liked it as a rule, but to-night were out to greet their captain. The boys on the island vary, of course, in numbers, according as they get killed and so on; and when they seem to be growing up, which is against the rules, Peter thins them out; but at this time there were six of them, counting the twins as two. Let us pretend to lie here among the sugar-cane and watch them as they steal by in single file, each with his hand on his dagger.

They are forbidden by Peter to look in the least like him, and they wear the skins of the bears slain by themselves, in which they are so round and furry that when they fall they roll. They have therefore become very sure-footed.

The first to pass is Tootles, not the least brave but the most unfortunate of all that gallant band. He had been in fewer adventures than any of them, because the big things constantly happened just when he had stepped round the corner; all would be quiet, he would take the opportunity of going off to gather a few sticks for firewood, and then when he returned the others would be sweeping up the blood. This ill-luck had given a gentle melancholy to his countenance, but instead of souring his nature had sweetened it, so that he was quite the humblest of the boys. Poor kind Tootles, there is danger in the air for you to-night. Take care lest an adventure is now offered you, which, if accepted, will plunge you in deepest woe. Tootles, the fairy Tink, who is bent on mischief this night is looking for a tool [for doing her mischief], and she thinks you are the most easily tricked of the boys. 'Ware Tinker Bell.

Would that he could hear us, but we are not really on the island, and he passes by, biting his knuckles.

Next comes Nibs, the gay and debonair, followed by Slightly, who cuts whistles out of the trees and dances ecstatically to his own tunes. Slightly is the most conceited of the boys. He thinks he remembers the days before he was lost, with their manners and customs, and this has given his nose an offensive tilt. Curly is fourth; he is a pickle, [a person who gets in pickles-predicaments] and so often has he had to deliver up his person when Peter said sternly, "Stand forth the one who did this thing," that now at the command he stands forth automatically whether he has done it or not. Last come the Twins, who cannot be described because we should be sure to be describing the wrong one. Peter never quite knew what twins were, and his band were not allowed to know anything he did not know, so these two were always vague about themselves, and did their best to give satisfaction by keeping close together in an apologetic sort of way.

The boys vanish in the gloom, and after a pause, but not a long pause, for things go briskly on the island, come the pirates on their track. We hear them before they are seen, and it is always the same dreadful song:

     "Avast belay, yo ho, heave to,
     A-pirating we go,
     And if we're parted by a shot
     We're sure to meet below!"

A more villainous-looking lot never hung in a row on Execution dock. Here, a little in advance, ever and again with his head to the ground listening, his great arms bare, pieces of eight in his ears as ornaments, is the handsome Italian Cecco, who cut his name in letters of blood on the back of the governor of the prison at Gao. That gigantic black behind him has had many names since he dropped the one with which dusky mothers still terrify their children on the banks of the Guadjo-mo. Here is Bill Jukes, every inch of him tattooed, the same Bill Jukes who got six dozen on the WALRUS from Flint before he would drop the bag of moidores [Portuguese gold pieces]; and Cookson, said to be Black Murphy's brother (but this was never proved), and Gentleman Starkey, once an usher in a public school and still dainty in his ways of killing; and Skylights (Morgan's Skylights); and the Irish bo'sun Smee, an oddly genial man who stabbed, so to speak, without offence, and was the only Non-conformist in Hook's crew; and Noodler, whose hands were fixed on backwards; and Robt. Mullins and Alf Mason and many another ruffian long known and feared on the Spanish Main.

In the midst of them, the blackest and largest in that dark setting, reclined James Hook, or as he wrote himself, Jas. Hook, of whom it is said he was the only man that the Sea-Cook feared. He lay at his ease in a rough chariot drawn and propelled by his men, and instead of a right hand he had the iron hook with which ever and anon he encouraged them to increase their pace. As dogs this terrible man treated and addressed them, and as dogs they obeyed him. In person he was cadaverous [dead looking] and blackavized [dark faced], and his hair was dressed in long curls, which at a little distance looked like black candles, and gave a singularly threatening expression to his handsome countenance. His eyes were of the blue of the forget-me-not, and of a profound melancholy, save when he was plunging his hook into you, at which time two red spots appeared in them and lit them up horribly. In manner, something of the grand seigneur still clung to him, so that he even ripped you up with an air, and I have been told that he was a RACONTEUR [storyteller] of repute. He was never more sinister than when he was most polite, which is probably the truest test of breeding; and the elegance of his diction, even when he was swearing, no less than the distinction of his demeanour, showed him one of a different cast from his crew. A man of indomitable courage, it was said that the only thing he shied at was the sight of his own blood, which was thick and of an unusual colour. In dress he somewhat aped the attire associated with the name of Charles II, having heard it said in some earlier period of his career that he bore a strange resemblance to the ill-fated Stuarts; and in his mouth he had a holder of his own contrivance which enabled him to smoke two cigars at once. But undoubtedly the grimmest part of him was his iron claw.

Let us now kill a pirate, to show Hook's method. Skylights will do. As they pass, Skylights lurches clumsily against him, ruffling his lace collar; the hook shoots forth, there is a tearing sound and one screech, then the body is kicked aside, and the pirates pass on. He has not even taken the cigars from his mouth.

Such is the terrible man against whom Peter Pan is pitted. Which will win?

On the trail of the pirates, stealing noiselessly down the war-path, which is not visible to inexperienced eyes, come the redskins, every one of them with his eyes peeled. They carry tomahawks and knives, and their naked bodies gleam with paint and oil. Strung around them are scalps, of boys as well as of pirates, for these are the Piccaninny tribe, and not to be confused with the softer-hearted Delawares or the Hurons. In the van, on all fours, is Great Big Little Panther, a brave of so many scalps that in his present position they somewhat impede his progress. Bringing up the rear, the place of greatest danger, comes Tiger Lily, proudly erect, a princess in her own right. She is the most beautiful of dusky Dianas [Diana = goddess of the woods] and the belle of the Piccaninnies, coquettish [flirting], cold and amorous [loving] by turns; there is not a brave who would not have the wayward thing to wife, but she staves off the altar with a hatchet. Observe how they pass over fallen twigs without making the slightest noise. The only sound to be heard is their somewhat heavy breathing. The fact is that they are all a little fat just now after the heavy gorging, but in time they will work this off. For the moment, however, it constitutes their chief danger.

The redskins disappear as they have come like shadows, and soon their place is taken by the beasts, a great and motley procession: lions, tigers, bears, and the innumerable smaller savage things that flee from them, for every kind of beast, and, more particularly, all the man-eaters, live cheek by jowl on the favoured island. Their tongues are hanging out, they are hungry to-night.

When they have passed, comes the last figure of all, a gigantic crocodile. We shall see for whom she is looking presently.

The crocodile passes, but soon the boys appear again, for the procession must continue indefinitely until one of the parties stops or changes its pace. Then quickly they will be on top of each other.

All are keeping a sharp look-out in front, but none suspects that the danger may be creeping up from behind. This shows how real the island was.

The first to fall out of the moving circle was the boys. They flung themselves down on the sward [turf], close to their underground home.

"I do wish Peter would come back," every one of them said nervously, though in height and still more in breadth they were all larger than their captain.

"I am the only one who is not afraid of the pirates," Slightly said, in the tone that prevented his being a general favourite; but perhaps some distant sound disturbed him, for he added hastily, "but I wish he would come back, and tell us whether he has heard anything more about Cinderella."

They talked of Cinderella, and Tootles was confident that his mother must have been very like her.

It was only in Peter's absence that they could speak of mothers, the subject being forbidden by him as silly.

"All I remember about my mother," Nibs told them, "is that she often said to my father, 'Oh, how I wish I had a cheque-book of my own!' I don't know what a cheque-book is, but I should just love to give my mother one."

While they talked they heard a distant sound. You or I, not being wild things of the woods, would have heard nothing, but they heard it, and it was the grim song:

     "Yo ho, yo ho, the pirate life,
     The flag o' skull and bones,
     A merry hour, a hempen rope,
     And hey for Davy Jones."

At once the lost boys—but where are they? They are no longer there. Rabbits could not have disappeared more quickly.

I will tell you where they are. With the exception of Nibs, who has darted away to reconnoitre [look around], they are already in their home under the ground, a very delightful residence of which we shall see a good deal presently. But how have they reached it? for there is no entrance to be seen, not so much as a large stone, which if rolled away, would disclose the mouth of a cave. Look closely, however, and you may note that there are here seven large trees, each with a hole in its hollow trunk as large as a boy. These are the seven entrances to the home under the ground, for which Hook has been searching in vain these many moons. Will he find it tonight?

As the pirates advanced, the quick eye of Starkey sighted Nibs disappearing through the wood, and at once his pistol flashed out. But an iron claw gripped his shoulder.

"Captain, let go!" he cried, writhing.

Now for the first time we hear the voice of Hook. It was a black voice. "Put back that pistol first," it said threateningly.

"It was one of those boys you hate. I could have shot him dead."

"Ay, and the sound would have brought Tiger Lily's redskins upon us. Do you want to lose your scalp?"

"Shall I after him, Captain," asked pathetic Smee, "and tickle him with Johnny Corkscrew?" Smee had pleasant names for everything, and his cutlass was Johnny Corkscrew, because he wiggled it in the wound. One could mention many lovable traits in Smee. For instance, after killing, it was his spectacles he wiped instead of his weapon.

"Johnny's a silent fellow," he reminded Hook.

"Not now, Smee," Hook said darkly. "He is only one, and I want to mischief all the seven. Scatter and look for them."

The pirates disappeared among the trees, and in a moment their Captain and Smee were alone. Hook heaved a heavy sigh, and I know not why it was, perhaps it was because of the soft beauty of the evening, but there came over him a desire to confide to his faithful bo'sun the story of his life. He spoke long and earnestly, but what it was all about Smee, who was rather stupid, did not know in the least.

Anon [later] he caught the word Peter.

"Most of all," Hook was saying passionately, "I want their captain, Peter Pan. 'Twas he cut off my arm." He brandished the hook threateningly. "I've waited long to shake his hand with this. Oh, I'll tear him!"

"And yet," said Smee, "I have often heard you say that hook was worth a score of hands, for combing the hair and other homely uses."

"Ay," the captain answered, "if I was a mother I would pray to have my children born with this instead of that," and he cast a look of pride upon his iron hand and one of scorn upon the other. Then again he frowned.

"Peter flung my arm," he said, wincing, "to a crocodile that happened to be passing by."

"I have often," said Smee, "noticed your strange dread of crocodiles."

"Not of crocodiles," Hook corrected him, "but of that one crocodile." He lowered his voice. "It liked my arm so much, Smee, that it has followed me ever since, from sea to sea and from land to land, licking its lips for the rest of me."

"In a way," said Smee, "it's sort of a compliment."

"I want no such compliments," Hook barked petulantly. "I want Peter Pan, who first gave the brute its taste for me."

He sat down on a large mushroom, and now there was a quiver in his voice. "Smee," he said huskily, "that crocodile would have had me before this, but by a lucky chance it swallowed a clock which goes tick tick inside it, and so before it can reach me I hear the tick and bolt." He laughed, but in a hollow way.

"Some day," said Smee, "the clock will run down, and then he'll get you."

Hook wetted his dry lips. "Ay," he said, "that's the fear that haunts me."

Since sitting down he had felt curiously warm. "Smee," he said, "this seat is hot." He jumped up. "Odds bobs, hammer and tongs I'm burning."

They examined the mushroom, which was of a size and solidity unknown on the mainland; they tried to pull it up, and it came away at once in their hands, for it had no root. Stranger still, smoke began at once to ascend. The pirates looked at each other. "A chimney!" they both exclaimed.

They had indeed discovered the chimney of the home under the ground. It was the custom of the boys to stop it with a mushroom when enemies were in the neighbourhood.

Not only smoke came out of it. There came also children's voices, for so safe did the boys feel in their hiding-place that they were gaily chattering. The pirates listened grimly, and then replaced the mushroom. They looked around them and noted the holes in the seven trees.

"Did you hear them say Peter Pan's from home?" Smee whispered, fidgeting with Johnny Corkscrew.

Hook nodded. He stood for a long time lost in thought, and at last a curdling smile lit up his swarthy face. Smee had been waiting for it. "Unrip your plan, captain," he cried eagerly.

"To return to the ship," Hook replied slowly through his teeth, "and cook a large rich cake of a jolly thickness with green sugar on it. There can be but one room below, for there is but one chimney. The silly moles had not the sense to see that they did not need a door apiece. That shows they have no mother. We will leave the cake on the shore of the Mermaids' Lagoon. These boys are always swimming about there, playing with the mermaids. They will find the cake and they will gobble it up, because, having no mother, they don't know how dangerous 'tis to eat rich damp cake." He burst into laughter, not hollow laughter now, but honest laughter. "Aha, they will die."

Smee had listened with growing admiration.

"It's the wickedest, prettiest policy ever I heard of!" he cried, and in their exultation they danced and sang:

     "Avast, belay, when I appear,
     By fear they're overtook;
     Nought's left upon your bones when you
     Have shaken claws with Hook."

They began the verse, but they never finished it, for another sound broke in and stilled them. There was at first such a tiny sound that a leaf might have fallen on it and smothered it, but as it came nearer it was more distinct.

Tick tick tick tick!

Hook stood shuddering, one foot in the air.

"The crocodile!" he gasped, and bounded away, followed by his bo'sun.

It was indeed the crocodile. It had passed the redskins, who were now on the trail of the other pirates. It oozed on after Hook.

Once more the boys emerged into the open; but the dangers of the night were not yet over, for presently Nibs rushed breathless into their midst, pursued by a pack of wolves. The tongues of the pursuers were hanging out; the baying of them was horrible.

"Save me, save me!" cried Nibs, falling on the ground.

"But what can we do, what can we do?"

It was a high compliment to Peter that at that dire moment their thoughts turned to him.

"What would Peter do?" they cried simultaneously.

Almost in the same breath they cried, "Peter would look at them through his legs."

And then, "Let us do what Peter would do."

It is quite the most successful way of defying wolves, and as one boy they bent and looked through their legs. The next moment is the long one, but victory came quickly, for as the boys advanced upon them in the terrible attitude, the wolves dropped their tails and fled.

Now Nibs rose from the ground, and the others thought that his staring eyes still saw the wolves. But it was not wolves he saw.

"I have seen a wonderfuller thing," he cried, as they gathered round him eagerly. "A great white bird. It is flying this way."

"What kind of a bird, do you think?"

"I don't know," Nibs said, awestruck, "but it looks so weary, and as it flies it moans, 'Poor Wendy,'"

"Poor Wendy?"

"I remember," said Slightly instantly, "there are birds called Wendies."

"See, it comes!" cried Curly, pointing to Wendy in the heavens.

Wendy was now almost overhead, and they could hear her plaintive cry. But more distinct came the shrill voice of Tinker Bell. The jealous fairy had now cast off all disguise of friendship, and was darting at her victim from every direction, pinching savagely each time she touched.

"Hullo, Tink," cried the wondering boys.

Tink's reply rang out: "Peter wants you to shoot the Wendy."

It was not in their nature to question when Peter ordered. "Let us do what Peter wishes!" cried the simple boys. "Quick, bows and arrows!"

All but Tootles popped down their trees. He had a bow and arrow with him, and Tink noted it, and rubbed her little hands.

"Quick, Tootles, quick," she screamed. "Peter will be so pleased."

Tootles excitedly fitted the arrow to his bow. "Out of the way, Tink," he shouted, and then he fired, and Wendy fluttered to the ground with an arrow in her breast.

 

 
 
 
 
 

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