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PAINTING
 

 



Gentile da Fabriano

 

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Gentile da Fabriano


 


 


Gentile da Fabriano

born c. 1370, Fabriano, Papal States, Italy
died 1427, Rome

original name Niccolo Di Giovanni Di Massio foremost painter of centralItaly at the beginning of the 15th century, whose few surviving works are among the finest examples of the International Gothic style.
An early signed work by Gentile has stylistic affinities with Lombard painting and suggests that he was trained in the Lombard school. In 1409 Gentile was commissioned to decorate the Doges' Palace inVenice with historical frescoes, which were later completed by Il Pisanello. In 1414–19 Gentile was in Brescia working for Pandolfo III Malatesta. His final important cycle of frescoes was begun in Rome in the Church of St. John Lateranshortly before his death. As with the frescoes in Venice, they were completed by Il Pisanello.
His surviving masterpiece, the “Adoration of the Magi,” was completed in 1423 for the Church of Santa Trinità, in Florence. Its graceful figures are clothed in velvets and rich brocades, and the Magi are attended by Oriental retainers, who look after such exotic animals as lions and camels. Its delicate linearity and vibrant colours enhance the effect of rich exoticism. The decorativeness of its elegant, courtly style continued to influence Florentine artists throughout the century and presented a counterattraction to the austererealism introduced by Masaccio. Gentile also produced a number of Madonnas, such as the altarpiece known as the Quaratesi Polyptych (1425), which show the Mother and Child, regally clad, sitting on the ground in a garden.

(Encyclopaedia Britannica)

 



 


Madonna with the Child
1425
Fresco
Duomo, Orvieto


 
 

 

Gentile da Fabriano

(b Fabriano, c. 1385; d Rome, before 14 Oct 1427). Italian painter and draughtsman. He was the most important Italian representative of the elaborate Late Gothic style of painting that dominated European painting around 1400. He was a consummate master of naturalistic rendering, narrative invention and detail, and ornamental refinement. He introduced a new relationship between painting and nature through the depiction of three-dimensional space and the representation of natural lighting. This relationship, established at the same time but in much more radical form by Masaccio, was central to the art of the Renaissance.


Coronation of the Virgin and Saints
c. 1400
Pinacoteca di Brera, Milan

 


Adoration of the Magi
1423
Galleria degli Uffizi, Florence



See also COLLECTION: Gentile da Fabriano
 

 

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