Gothic Era






 

 


Masters of the Gothic Art
 
 
 
   
Gothic Art Map
 
 
   
Masters of the Gothic Art
 
 
    Master M S
Master M Z
Master Thomas de Coloswar
Master of Alkmaar
Master of Avila
Master of Budapest
Master of Moulins
Master of Female Half-length
Master of Heiligenkreuz
Master of Hoogstraeten
Master of Saint Cecilia
Master of Saint Gilles
Master of San Francesco Bardi
Master of the Aix Annunciation
Master of the Aix-en-Chapel Altarpiece
Master of the Avignon School
Master of the Bambino Vispo
Master of the Castello Nativity
Master of the Catholic Kings
Master of the Joseph Legend
Master of the Housebook
Master of the Legend of St. Ursula
Master of the Life of Saint John the Baptist
Master of the Lyversberg Passion
Master of the Pfullendorf Altar
Master of the Saint Lucy Legend
Master of the Polling Panels
Master of the Tegernsee Passion
Master of the Trebon Altarpiece
Master of the Vienna Adoration
Master of the Virgo inter Virgines
Masters Bohemian
Master of the Votive Picture of Sankt Lambrecht
Masters Austrian
Master Dutch
Masters Flemish
Masters French
Masters German
Masters Hungarian
Masters Italian
Masters Spanish
       
    Exploration: Gothic Era  (Gothic and Early Renaissance)
 

 



Master of Saint Cecilia

Master of Saint Gilles

 

 

           

Master of Saint Cecilia
Italian painter, Florentine school (active 1300-20 in Florence)

 

                          


Legend of St Francis: 26. The Healing of a Devotee of the Saint

c. 1300
Fresco
Upper Church, San Francesco, Assisi
 

 

 
 

Legend of St Francis: 27. Confession of a Woman Raised from the Dead

1300
Fresco
Upper Church, San Francesco, Assisi
 
 

 

 

 

 

 

 


Legend of St Francis: 28. Liberation of the Repentant Heretic

1300
Fresco
Upper Church, San Francesco, Assisi
 

 

 

 

 


Saint Cecilia Altarpiece

c. 1304
Galleria degli Uffizi, Florence
 
 
 
 
Master of Saint Gilles

( fl Paris, c. 1490–1510).

French painter. He is named after two small panel paintings depicting episodes from the Life of St Giles, the reverses of which are painted in grisaille and show figures in niches: St Peter on the reverse of the Mass of St Giles and a Bishop Saint (perhaps St Loup) on the back of St Giles Protecting a Hind (both London, N.G.). Two further panels of similar character and format, also originally with grisaille figures on the reverses (apparently separated in recent times and now untraced), are evidently by the same artist. On the reverse of the Baptism of King Clovis by St Rémi (also identified as the Baptism of the Nobleman Lisbius by St Denis) was formerly St Denis, and on the reverse of an Episode from the Life of a Bishop Saint (identified either as St Loup Curing the Children, or, more probably, as St Rémi Converting the Arian Bishop Genebaut) was St Giles (both Washington, DC, N.G.A.). The costumes depicted in all four panels provide some basis for dating them. Certain Italianate details in the dress imply a date after 1495, when Charles VIII returned from his Italian campaign, while the bulky garments worn by the men and their long hair suggest a date close to 1500.

 
   


The Baptism of Clovis

1500
Wood
National Gallery of Art, Washington
 
 
 
 

St Gilles and the Hind

c. 1500
National Gallery, London
 
 
 
 

The Mass of St Gilles

c. 1500
National Gallery, London
 
 

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