b
Amsterdam, 25 April 1921.
Dutch painter, sculptor, designer, printmaker and writer. He
was first encouraged to paint by an uncle, who gave him a
set of paints for his 15th birthday, and he also took
painting lessons. From 1940 to 1943 he studied at the
Rijksakademie of Amsterdam, where he became friendly with
Corneille. His earliest works recalled the painting of
George Hendrik Breitner; during World War II, however, he
began to paint with a more vigorous palette, with a clear
interest in German Expressionism and above all in the work
of van Gogh. There was a turning-point in Appel’s style
c. 1945 when he found inspiration in the art of the
Ecole de Paris and in particular of Matisse and Picasso.
This influence remained visible in his work until 1948, for
example in a series of plaster sculptures that he made at
this time. From 1947, his completely personal, brightly
coloured universe of simple, childlike beings and friendly
animals populated gouaches, oil pastel drawings, painted
wood sculptures and, gradually, oil paintings. His sense of
humour comes to the fore in grotesque assembled pieces and
wooden reliefs and paintings such as Hip, Hip, Hooray
(1949; London, Tate).
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