Italian architectural and design partnership formed in 1966 by
Andrea Branzi (b 1939), Gilberto Corretti (b 1941),
Paolo Deganello (b 1940) and Massimo Morozzi. These were joined
by Dario Bartolini and Lucia Bartolini in 1968. They were based in
Florence and were influenced initially by the utopian visions of the
English architectural group Archigram. They achieved international
prominence following appearances at the Superarchitettura
exhibitions of radical architecture held at Pistoia (1966) and Modena
(1967) and organized with the SUPERSTUDIO group. Numerous projects and
essays reflected the group’s search for a new, highly flexible and
technology-based approach to urban design, and in the late 1960s
exhibition and product design began to form a significant part of
their work. The Superonda and Safari sofas, designed for the
Poltronova company, combine modular flexibility with kitsch-inspired
shiny plastic and leopard-skin finishes. Their central aim of
stimulating individual creativity and fantasy was the focus of
installations such as the Centre for Electric Conspiracy, with
its closed, perfumed meditation areas housing exotic objects from
different cultures, and the empty grey room presented at Italy: The
New Domestic Landscape, an exhibition held at MOMA, New York, in
1972. In the latter a girl’s voice describes the light and colour of a
beautiful house that is left to the listener to imagine. Dress is the
theme of the two films (Vestirsi è facile and Come è fatto
il capotto di Gogol ) that the group made shortly before
disbanding in 1974 to follow separate careers.
Paolo Deganello Documenta chair leather, brass, wicker, metal and laminated wood
40.9 x 0 in. / 104 x 0 cm.
1987
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