Art of the 20th Century

 



Art Styles in 20th century Art Map



 




Jenny Saville



 


 

 



Self portrait

 
 
 

Jenny Saville

From Wikipedia, the free encyclopedia
 

Jenny Saville (born in Cambridge in 1970) is an English painter and a leading Young British Artist (YBA). Saville is known for her monumental images of women, usually self portraits.

Saville does not meet the usual public perception of the YBAs as she has dedicated her career to traditional figurative oil painting. Her painterly style has been compared to that of Lucian Freud and Rubens. Her paintings are usually much larger than life size. They are strongly pigmented and give a highly sensual impression of the surface of the skin as well as the mass of the body. She sometimes adds marks onto the body, such as white "target" rings.

Since her debut in 1992, Saville's focus has remained on the female body. Her published sketches and documents include surgical photographs of liposuction, trauma victims, deformity correction, disease states and transgender patients. Her painting Strategy (South Face/Front Face/North Face) appeared on the cover of Manic Street Preachers' third album The Holy Bible.

Saville gained her degree at Glasgow School of Art (1988-1992), and was then awarded a six month scholarship to the University of Cincinnati, where she states that she saw "Lots of big women. Big white flesh in shorts and T-shirts. It was good to see because they had the physicality that I was interested in." She studied at the Slade School Of Art between 1992 and 1993. At the end of her postgraduate education the leading British art collector Charles Saatchi purchased her entire senior show and commissioned works for the next two years. In 1994 Saville spent many hours observing plastic surgery operations in New York. Today, she works and lives in London, and is a tutor of figure painting at the Slade School of Art.
 

 

Propped
 

Strategy (South Face/Front Face/North Face)
 
 

Self portrait

 
 

Shift

 
 

Untitled
 
 

Untitled
 
 

Branded
 
 

Pause
 
 

Figure 11.23

 
 

Untitled
 
 

Still
 
 

Torso 2
 
 

Separates
 
 

Closed Contact #13
 
 

Closed Contact
 
 

Closed Contact #8
 

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