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Rudolf Hausner


Rudolf Hausner

From Wikipedia, the free encyclopedia

Rudolf Hausner (1914 – 1995) was an Austrian painter, draughtsman, printmaker and sculptor. Hausner has been described as a "psychic realist" and "the first psychoanalytical painter" (Gunter Engelhardt).

Hausner studied at the Academy of Fine Arts in Vienna from 1931 until 1936. During this period he also traveled around Europe, visiting England, France, Italy, Greece, Turkey, and Egypt. After he was designated a 'degenerate' artist in 1938, exhibition of his work was banned in Germany. He was a soldier from 1941 until 1945. In 1942 he married Grete Czingely. Before allying himself with and co-founding the Vienna School of Fantastic Realism his works were mainly Expressionist-influenced images of suburbs, still-lifes, and female models, most of which he destroyed.

In 1944, Hausner married Irene Schmied. During the last days of the second world war he was assigned to an air defense unit. After the war, he returned to his bomb-damaged studio and resumed work as an artist. In 1946 he founded a surrealist group together with Edgar Jené, Ernst Fuchs, Wolfgang Hutter and Fritz Janschka. They were later joined by Arik Brauer and Anton Lehmden. He joined the Art-Club and had his first one-man exhibition in the Konzerthaus, Vienna. A key work of this period, It's me! (1948; Vienna, Hist. Mus.), shows his awareness of Pittura Metafisica and Surrealism in a psychoanalytical painting where the elongated being in the foreground penetrates what was apparently a real landscape, until it tears like a backdrop; another painting, Forum of Inward-turned Optics (1948; Vienna, Hist. Mus.), is evidence of his ability to depict the subject in a realist style while simultaneously overturning the laws of one-point perspective. He married Hermine Jedlicka in 1951; their daughter Xenia Hausner, also an artist, was born the same year. After working on the painting for six years, he completed his masterpiece, The Ark of Odysseus, in 1956. The Ark of Odysseus (1948-51 and 1953-6; Vienna, Hist. Mus.), depicts the hero as a self-portrait and was a precursor to the series of Adam paintings in which Hausner painted his own features.

In 1957, Hausner painted his first "Adam" picture. He came into conflict with the Surrealist orthodoxy, who condemned as heretical his attempt to give equal importance to both conscious and unconscious processes. In 1959 he co-founded the Vienna School of Fantastic Realism together with his old surrealism group members: Ernst Fuchs, Wolfgang Hutter, Anton Lehmden, Arik Brauer, and Fritz Janschka. In 1962, Hausner met Paul Delvaux, René Magritte, Victor Brauner, and Dorothea Tanning while traveling in Germany, the Netherlands, Belgium, and France. The 1st Burda Prize for Painting was awarded to him in 1967. In 1969, he was awarded the Prize of the City of Vienna. Shortly after, he separated from Hermine Jedlicka and moved to Hietzing together with his daughter Xenia and Anne Wolgast, whom he had met in Hamburg.

From 1966 until 1980, he was a guest professor at the Hochschule für Bildende Künste in Hamburg. He also taught at the Academy of Fine Arts Vienna. Among his students were Joseph Bramer, Friedrich Hechelmann, Gottfried Helnwein, Michael Engelhardt, and Siegried Goldberger. Hausner was awarded the Austrian State Prize for Painting in 1970.



Hommage a Leonardo


Twoj cien


Adam vis-a-vis


Adam i pegaza


Parawan Anny




W osmioboku


Dwa kontynenty


Pogodzona anima


Adam przed wladzami I


Adam przporzadkowany


Wezwanie do osobisej wolnosci


Drzewo milosci


Adams Lebensbaum


Adam gespalten

Adam gut getroffen

Nachtlicher Besuch

Adam in bescheidenem Rahmen


Adam rational

Ein Hauch des Schicksals


Adam und sein Maschinist

Adams Triptychon

Adam zentral

Adam rot


Adam Ballspieler

Eva im Labyrinth


Roter Narrenhut



Eva fundamental

Adam massiv

Evas schonstes Kleid

Adam proportional

Adams Pyramide


Adams Tochter

Adam gegensatzlich

Hommage a Sigmund Freud

Adam mabstablich I

Adam warum zitterst du?

Adam sicher


Drei- und vierdimensional

Adam bezuglich

Adam bei sich

Adams Ubersicht


Unter der Lampe

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