Art of the 20th Century

 



Art Styles in 20th century Art Map



 



Yoshitomo Nara

 


 


 


Wo ist Verantwortung fur eine Welt
1993

 
 
 
Yoshitomo Nara

From Wikipedia, the free encyclopedia

Yoshitomo Nara born 1959 in Hirosaki, Japan, is a contemporary Japanese Pop artist. He currently lives and works in Tokyo, though his artwork has been exhibited worldwide. Nara received his B.F.A. (1985) and an M.F.A. (1987) from the Aichi Prefectural University of Fine Arts and Music. Between 1988 and 1993, Nara studied at the Kunstakademie Düsseldorf, in Germany. Nara has had nearly 40 solo exhibitions since 1984. He is represented in New York City by Marianne Boesky Gallery and in Los Angeles by Blum & Poe.
Nara first came to the fore of the art world during Japan’s Pop art movement in the 1990s. The subject matter of his sculptures and paintings is deceptively simple: most works depict one seemingly innocuous subject (often pastel-hued children and animals drawn with confident, cartoonish lines) with little or no background. But these children, who appear at first to be cute and even vulnerable, sometimes brandish weapons like knives and saws. Their wide eyes often hold accusatory looks that could be sleepy-eyed irritation at being awoken from a nap—or that could be undiluted expressions of hate.. Nara, however, does not see his weapon-wielding subjects as aggressors. "Look at them, they [the weapons] are so small, like toys. Do you think they could fight with those?" he says. "I don’t think so. Rather, I kind of see the children among other, bigger, bad people all around them, who are holding bigger knives…"Nara’s own explanation of his work, then, casts us as the aggressors guilty of betraying and attacking childhood innocence. When cast in that light, Nara incriminates himself as well, for his art is above all based upon the perversion of otherwise innocent subjects. Lauded by art critics and hipsters alike, Nara’s bizarrely intriguing works have gained him a cult following around the world.

The manga and anime of his 1960s childhood are both clear influences on Nara's stylized, large-eyed figures. Nara subverts these typically cute images, however, by infusing his works with horror-like imagery. This juxtaposition of human evil with the innocent child may be a reaction to Japan's rigid social conventions. The punk rock music of Nara's youth has also influenced the artist's work. Recalling a similar – if more unsettling – image of rebellious, violent youth, Nara's art embraces the punk ethos. That said, Nara has also cited traditions as varied as Renaissance painting, literature, illustration, and graffiti as further inspiration.
But perhaps most significantly, Nara’s upbringing in post-World War II Japan profoundly affected his mindset and, subsequently, his artwork as well. He grew up in a time when Japan was experiencing an inundation of Western pop culture; comic books, Walt Disney animation, and Western rock music are just a few examples. Additionally, Nara was raised in the isolated countryside as a latchkey child of working-class parents, so he was often left alone with little to do but explore his young imagination. The fiercely independent subjects that populate so much of his artwork may be a reaction to Nara's own largely independent childhood.

 

 


Hund mit Sarg (Dog with coffin)
1993
 


Untitled
2007
 


Untitled
2007
 


Untitled
2007
 


Untitled
2007
 


Untitled
2007
 


Puff Marshie
2006
 


Don't cry tears, Love me
1993
 


Untitled
 


Untitled
 


Mary Magdalen, The New Year's Eve Angel
 


Naughty Girl
2002
 


Untitled

 


The Little Pilgrim (Night Walking)

 


Pupcup
 


Star Island
 


Untitled


Girl Plush
 


Girl in a Box
 


Happy Birthday


The Little Star Dweller




Harmless kitten
 

 

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