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Sarah Lucas (born 1962) is a British artist. She is part of the
generation of Young British Artists who emerged during the 1990s. Her
works frequently employ visual puns and bawdy humour, and include
photography, collage and found objects.
Sarah Lucas was born in Holloway, London, England. She studied art at
The Working Men's College, London College of Printing and Goldsmith's
College, graduating in 1987. She was included in the group exhibition
Freeze the following year, along with contemporaries including Angus
Fairhurst, Damien Hirst, and Gary Hume. She emerged as one of the major
Young British Artists during the 1990s, with a body of highly
provocative work. In the early 1990s she began using furniture as a
substitute for the human body.
Her first two solo exhibitions in 1992 were titled The Whole Joke and
Penis Nailed to a Board. For six months in 1993, Lucas and fellow artist
Tracey Emin rented a retail space in east London, The Shop, where they
made artworks, ranging from printed mugs to T-shirts with slogans, and
put them on sale.
Through her career, Lucas has continued to appropriate everyday
materials to make works that use humour, visual puns and sexual metaphor
to discuss sex, death, Englishness and gender.
In works such as Bitch (table, t-shirt, melons, and vacuum-packed
smoked fish, 1995), she merges tabloid culture with the economy of the
ready-made. In earlier work, she had displayed enlarged pages from the
Sunday Sport newspaper.
Sarah Lucas is also known for her self-portraits, such as Human
Toilet Revisited, 1998, a colour photograph in which she sits on a
toilet smoking a cigarette. In her solo exhibition The Fag Show at Sadie
Coles in 2000, she used cigarettes as a material, as in Self-portrait
with Cigarettes (2000).
In 1996 she was the subject of a BBC documentary, Two Melons and a
One-person museum exhibitions at Boymans-van Beuningen in Rotterdam,
at Portikus in Frankfurt, and at The Ludwig Museum in Cologne and the
recent survey exhibition at Kunsthalle Zurich, Kunstverein am Hamburg
and Tate Liverpool have accompanied exhibitions in less conventional
spaces—an empty office building for The Law in 1997, a disused postal
depot in Berlin for the exhibition Beautiness in 1999, and an
installation at the Freud Museum called Beyond the Pleasure Principle in
Lucas’s work has been included in major surveys of new British art in
the last decade including Brilliant!—New Art From London at the Walker
Art Center, Minneapolis in 1995, Sensation (Young British Artists from
the Saatchi Collection at the Royal Academy in 1997), and
Intelligence—New British Art, 2000, at Tate Britain. In 2003 Sarah Lucas
participated in the 50th International Biennale of Art in Venice,
Outlook: Contemporary Art in Athens, and In-A-Gadda-Da-Vida, a three
person exhibition for Tate Britain with Angus Fairhurst and Damien Hirst
in 2004. From October 2005 to January 2006, Tate Liverpool presented the
first survey exhibition of Lucas's work.
Lucas lives in Suffolk and works in London, and is represented by
Sadie Coles HQ, London, Barbara Gladstone, New York, and CFA Berlin.