Visual History of the World




From Prehistoric to Romanesque  Art
Gothic Art
Renaissance  Art
Baroque and Rococo Art
The Art of Asia
Neoclassicism, Romanticism  Art
Art Styles in 19th century
Art of the 20th century
Artists that Changed the World
Design and Posters
Classical Music
Literature and Philosophy

Visual History of the World
First Empires
The Ancient World
The Middle Ages
The Early Modern Period
The Modern Era
The World Wars and Interwar Period
The Contemporary World

Dictionary of Art and Artists


The Early Modern Period

16th - 18th century


The smooth transition from the Middle Ages to the Modern Age is conventionally fixed on such events as the Reformation and the discovery of the "New World," which brought about the emergence of a new image of man and his world. Humanism, which spread out of Italy, also made an essential contribution to this with its promotion of a critical awareness of Christianity and the Church. The Reformation eventually broke the all-embracing power of the Church. After the Thirty Years' War, the concept of a universal empire was also nullified. The era of the nation-state began, bringing with it the desire to build up political and economic power far beyond Europe. The Americas, Africa, and Asia provided regions of expansion for the Europeans.

Proportions of the Human Figure by Leonardo da Vinci (drawing, ca. 1490)
is a prime example of the new approach of Renaissance
artists and scientists to the anatomy of the human body.



Tahiti women

Paul Gauguin. Tahitian Women


Self-portrait with Halo



b Paris, 7 June 1848; d Atuona, Marquesas Islands, 8 May 1903.

French painter, printmaker, sculptor and ceramicist. His style developed from Impressionism through a brief cloisonnist phase (in partnership with Emile Bernard) towards a highly personal brand of Symbolism, which sought within the tradition of Pierre Puvis de Chavannes to combine and contrast an idealized vision of primitive Polynesian culture with the sceptical pessimism of an educated European. A selfconsciously outspoken personality and an aggressively asserted position as the leader of the Pont-Aven group made him a dominant figure in Parisian intellectual circles in the late 1880s. His use of non-naturalistic colour and formal distortion for expressive ends was widely influential on early 20th-century avant-garde artists.

see also collection: Paul Gauguin









Woman with a Flower



The Nelson-Atkins Museum of Art,
Kansas City



Hail Mary
The Metropolitan Museum of Art, New York



When will you Marry?






Aita tamari vahine Judith te parari



Woman Holding a Fruit
The Hermitage, St. Petersburg



Ancestors of Teha'amana
The Art Institute of Chicago



Pushkin State Museum of Fine Arts, Moscow



Tahitian Women Bathing




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