History of Photography


Introduction History of Photography (Encyclopaedia Britannica)

A World History of Photography (by Naomi Rosenblum)

The Story Behind the Pictures 1827-1991 (by Hans-Michael Koetzle)

Photographers' Dictionary
(based on "20th Century Photography - Museum Ludwig Cologne")


 

 



Photographers' Dictionary

(based on "20th Century Photography-Museum Ludwig Cologne")

 
 

 

 


Anton Stankowski

(From Wikipedia, the free encyclopedia)

Anton Stankowski (June 18, 1906 - December 11, 1998) was a German graphic designer, photographer and painter. He developed an original Theory of Design and pioneered Constructive Graphic Art. Typical Stankowski designs attempt to illustrate processes or behaviours rather than objects. Such experiments resulted in the use of fractal-like structures long before their popularisation by Benoit Mandelbrot in 1975.
Anton Stankowski was born in Gelsenkirchen, Westphalia. Before embarking on the profession of graphic designer, Stankowski worked as a decorator and church painter. In 1927 he attended the Folkwang Academy with fellow photographer, Max Burchartz.
Stankowski's work is noted for straddling the camps of fine and applied arts by synthesising information and creative impulse. He was inspired by the abstract paintings of Piet Mondrian, Theo van Doesburg, Malevich and Kandinsky. Stankowski advocated graphic design as a field of pictorial creation that requires collaboration with free artists and scientists.
Despite producing many unique examples of concrete art and photo-graphics, Stankowski is best known for designing the simple trademark of the Deutsche Bank.
By 1980, Stankowski had produced a volume of trademarks for clients in Germany and Switzerland. In 1983, he established the Stankowski Foundation to award others for bridging the domains of fine and applied art. Following his death in December 1998, the German Artist Federation awarded Anton Stankowski the honorary Harry Graf Kessler Award for his life work.


Eye-Montage, 1927

 


Suring, 1929-1934

 


Gaswerk Zurich
1931

 


Schneiderpuppe, 1933

 


Bleeding Head

1935

 


Protocol of Time in a Car
Zurich, 1929

 


Pea Pod, Photogram
1928

 


Thecla, 1932

 


Untitled

 

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