History of Photography


Introduction History of Photography (Encyclopaedia Britannica)

A World History of Photography (by Naomi Rosenblum)

The Story Behind the Pictures 1827-1991 (by Hans-Michael Koetzle)

Photographers' Dictionary
(based on "20th Century Photography - Museum Ludwig Cologne")


 

 



Photographers' Dictionary

(based on "20th Century Photography-Museum Ludwig Cologne")

 
 

 

 


Frederick Sommer

(From Wikipedia, the free encyclopedia)

Frederick Sommer (September 7, 1905 - January 23, 1999), was an artist born in Angri, Italy and raised in Brazil. He earned a M.A. degree in Landscape Architecture (1927) from Cornell University where he met Frances Elisabeth Watson (b. September 20, 1904 - d. April 10, 1999) whom he married in 1928; they had no children. The Sommers moved to Tucson, Arizona in 1931 and then Prescott, Arizona in 1935. Sommer became a naturalized citizen of the United States on November 18, 1939.
Considered a master photographer, Sommer first experimented with photography in 1931 after being diagnosed with tuberculosis the year prior. Early works on paper (starting in 1931) include watercolors, and evolve to pen-and-ink or brush plus drawings of visually composed musical score. Concurrent to the works on paper, Sommer started to seriously explore the artistic possibilities of photography in 1938 when he acquired an 8x10 Century Universal Camera, eventually encompassing the genres of still life (chicken parts and assemblage), horizonless landscapes, jarred subjects, cut-paper, cliché-verre negatives and nudes. The last artistic body of work Sommer produced (1989-1999) was collage based largely on anatomical illustrations.
Frederick Sommer had significant artistic relationships with Edward Weston (photographer), Max Ernst, Aaron Siskind, Richard Nickel and others. His archive (of negatives and correspondence) was part of founding the Center for Creative Photography in 1975 along with Ansel Adams, Harry Callahan, Wynn Bullock, and Aaron Siskind. He taught briefly at Prescott College during the late 60s and substituted for Harry Callahan at IIT Institute of Design in 1957-58 and later at the Rhode Island School of Design.

 


Max Ernst

 


Livia

 


The Giant, 1946

 


Valise d'Adam

 


Arizona Landscape

 


Coyotes

 


Anatomy of a Chicken
, 1939

 


Chicken
1939

 


Chicken
1939

 


Glass
1943

 


Untitled
1943

 


Arizona Landscape
1943

 


Medallion
1948

 


Moon Culmination
1951

 


Fighting Centaur
1961

 


Untitled
1961

 


Figure
1962

 


Untitled
1973

 


Untitled

 


Lee Nevin

 


Amputated Foot

 


Taylor, Arizona

 


Judgement of Solomon

 


Lee Nevin

 


Jack Rabbit

 


Ondine

 


Durer Variation (vertical)

 


Artificial Leg

 


Prince Albert

 


Flower and Frog

 


Standing nude

 

Discuss Art

Please note: site admin does not answer any questions. This is our readers discussion only.

 
| privacy