History of Photography


Introduction History of Photography (Encyclopaedia Britannica)

A World History of Photography (by Naomi Rosenblum)

The Story Behind the Pictures 1827-1991 (by Hans-Michael Koetzle)

Photographers' Dictionary
(based on "20th Century Photography - Museum Ludwig Cologne")


 

 



Photographers' Dictionary

(based on "20th Century Photography-Museum Ludwig Cologne")

 
 

 

 


Henry Peach Robinson

(From Wikipedia, the free encyclopedia)

Henry Peach Robinson (born July 9, 1830 in Ludlow, Shropshire - died February 21, 1901) was an English Pictorialist photographer best known for his pioneering of combination printing - joining multiple negatives to form a single image, the precursor to photomontage. According to his letters, he was influenced by the paintings of J.M.W. Turner.
Robinson was the eldest of the four children of John Robinson, a Ludlow schoolmaster, and his wife Eliza. He was educated at Horatio Russell's academy in Ludlow until he was thirteen, when he took a year's drawing tuition with Richard Penwarne before being apprenticed to a Ludlow bookseller and printer, Richard Jones.
While continuing to study art, his initial career was in bookselling, in 1850 working for the Bromsgrove bookseller Benjamin Maund, then in 1851 for the London-based Whittaker & Co. In 1852 he exhibited an oil painting, On the Teme Near Ludlow, at the Royal Academy. That same year he began taking photographs, and five years later, following a meeting with the photographer Hugh Welch Diamond, decided to devote himself to that medium, in 1855 opening a studio in Leamington Spa, selling portraits.
In 1859 he married Selina Grieves, daughter of a Ludlow chemist, John Edward Grieves.
In 1864, at the age of thirty-four, Robinson was forced to give up his studio due to ill-health from exposure to toxic photographic chemicals. Relocating to London, Robinson kept up his involvement with the theroetical side of photography, writing the influential essay Pictorial Effect in Photography, Being Hints on Composition and Chiaroscuro for Photographers, published in 1868. Around this time his health had improved sufficiently to open a new studio in Tunbridge Wells with Nelson King Cherrill, and in 1870 he become vice-president of the Photographic Society.
The partnership with Cherrill dissolved in 1875, Robinson continuing the business until his retirement in 1888. Following internal disputes within the Photographic Society, he resigned in 1891 to become one of the early members of the rival Linked Ring society, in which he was active until 1900, when he was also elected an honorary member of the Royal Photographic Society.
He died and was buried in Tunbridge Wells in early 1901.

 


Self Portrait

 


Fading Away, 1858.
Albumen composite print. Royal Photographic Society, Bath, England.

 


Elaine Watching the Shield of Lancelot
1859

 


When the Day's Work is Done
1877

 


A Holiday in the Wood

 


HE NEVER TOLD HIS LOVE
1884

 


Angeline Pawley
1873

 


The Lady of Shalott
1861

 


Temps orageux
1894

 


She Runs Home and Tells Her Mother All about It, 1858

 


Dawn and Sunset, 1885

 


Little Red Riding Hood and Fading Away

 


Somebody's Coming



Here They Come

 


H P Robinson at Home

 


A Maiden Meditation Fancy Free

 


A Strange Fish

 


What is it?

 


Preliminary Sketch with Photo Inserted, c. 1860.
Albumen print and pastel collage on paper. Gernsheim Collection.
Humanities Research Center, University of Texas. Austin.

 

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