(based on "20th Century Photography-Museum Ludwig Cologne")
Pierre-Louis Pierson(1822-1913)
In 1844 Pierre-Louis
Pierson began operating a studio in Paris that specialized in hand-colored
daguerreotypes. In 1855 he entered into a partnership with Léopold Ernest
and Louis Frederic Mayer, who also ran a daguerreotype studio. The Mayers
had been named "Photographers of His Majesty the Emperor" by Napoleon III
the year before Pierson joined them. Although the studios remained at
separate addresses, Pierson and the Mayers began to distribute their
images under the joint title "Mayer et Pierson," and together they became
the leading society photographers in Paris.
Pierson's 1861 photographs of the family and court of Napoleon III sold
very well to the public. Pierson and Leopold Mayer soon opened another
studio in Brussels, Belgium, and began photographing other European
royalty. After Mayer's retirement in 1878, Pierson went into business with
his son-in-law Gaston Braun, whose father was the photographer Adolphe
Braun.
Countess Castiglione, c. 1860.
The Gaze, 1856–57
Albumen silver print
Gilman Paper Company Collection, New York
Fright
1861–67
La comtesse de
Castiglione
1895
La comtesse de Castiglione
1895
Countess Castiglione
1860s
Albumen silver print from glass negative
The Foot
1894
M. Pelletan
Rachel
1893
La Normandie
1895
De Dieppe
1895
Cardinal de Bonnechose
1864
Napoleon III and the Prince Imperial
1859
Reflet de Miroir de Police Vaurien
Profil dans la glace des deux bras de la Police
1894
Roses
1895
Booklet of albumen silver prints
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